Visual Art

One of the commonest and most loosely used terms in any discussion of contemporary art is the word avant-garde. Indeed it often seems to be taken for granted that valid contemporary art and avant-garde art are synonymous.

Cv/VAR series 52 features an interview with American artist James Turrell recorded at Michael Hue Williams London in June 1996.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

Brought to yoy by Penguin. The average person sees about 10,000 commercial visuals a day. Yet, research shows we can only process about 1% of the visual information we encounter. If a picture is worth a thousand words, where does this excess leave us? In The Visual Detox, art expert and...

An interview with the author J. P. Donleavy, recorded in 1989 on the occasion of his exhibition at Anna-Mei Chadwick Gallery, Chelsea. He describes his formative experience of Dublin, with exhibitions there in 1948, '50, and '51, the catalogue manifestos, for these were his first published writings, leading to work on his first renowned novel, The Ginger Man.

An essay by Edward Lucie-Smith considers the Andy Warhol exhibition re-opening at Tate Modern on July 27. He puts forward a provocative view of the relevance of the art in an time of turbulent disruption. When the Warhol show returns to Tate Modern on July 27, almost the first thing you’ll meet if you go to see it will be a large painting, on two paired canvases, entitled Marilyn Diptych. It features repeated images the film star Marilyn Monroe.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

A study of Giacometti portraits at the National Portrait Gallery London and Frank Auerbach at Tate Britain.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

The Titian Show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now, it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to be wearing a mask. You have to maintain distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.

Discover "Rx: Art!"—a transformative guide designed specifically for healthcare workers. Your dedication to caring for others is commendable, but it's crucial to remember your own well-being.

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

A commentary on the Pierre Bonnard exhibition recorded at the press view on Monday January 21, 2018. Views figure studies and landscapes made between 1900 and 1940 and responds to the conception of the compositions with their radiant color fields.

In this study, Art, Poetry, and WW1 by Edward Lucie-Smith of writing, poetry, and painting in the centenary year of the outbreak of the First World War, the author considers the historical impact on the general psyche of the calamitous events, reflected in the expression of poets and visual artists. He establishes a continuity to the theme with reference to works by Velázquez, Watteau, Goya, and others, in their treatment of the spectacle of battle and the horrors of war and human conflict.

Sharon Kivland describes strands of influence in her work, which draws on French and Russian literature of the 18th and 19th centuries, in particular concerning the changing roles of women in domestic, social, and political life.

Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

Listen as descriptions of human physiology are illustrated in the eBook edition with 80 panel paintings by Philip James ROI. A viscous surface of pulped and washed colour interprets the intricate framework of muscles, arteries, bone and soft tissue, all infused with an internal dynamic of potent nervous energy. First published in 2001, the volume carried 80 colour plates of art works with descriptions of the location and function of portrayed parts.

A collection of transdisciplinary essays by scholars and designers which explore humanity’s relationship with the planet, its ecosystems and inhabitants, now and in the future. Global challenges like climate change and ecosystem degradation are proving that a singular disciplinary approach is inadequate to respond to issues where societal behaviours, individual choices, political decisions, economic, technological and scientific developments are so densely entangled - not least in design. But what happens when we turn things around and decentre “the human” to look at our relationship with...

Art-Write:The Writing Guide for Visual Artists has a single intention: to teach artists how to write about their own artwork. This concise and current career resource is filled with achievable advice on how to write for art promotion and sales. The audiobook offers a step-by-step approach to create a professional artist statement, with thinking and writing exercises to ease the process and develop authentic and clear content.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.