British Literature

England 1921. Lady Elizabeth Gaskins is throwing a big party to celebrate her birthday. But when an odious guest gets killed and steals her thunder, her father, the Earl of Buxley, becomes a suspect. After all, he came to blows with the dead man in front of several witnesses. Determined to find out who murdered his childhood friend, Lord Buxley summons a detective from Scotland Yard. Not to be outdone, Lady Bess and her spunky cohorts, the oldest Dowager Countess and great aunts, embark on a hunt for the killer.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

Her name is Sandy. You might know her as the loving wife of Detective Superintendent Roy Grace. But there's more to her than meets the eye. A woman with a dubious past, a complicated present and an uncertain future. Then she was gone. Her disappearance caused a nationwide search. Even the best detective on the force couldn't find her. They thought she was dead. Where did she go? Why did she run? What would cause a woman to leave her whole life behind and simply vanish?

I am the type of woman who always plays it safe. In my professional life as a public relations "fixer", and in my personal life, especially when it comes to the opposite sex. Really, who needs the wild highs and the I-want-to-die-because-he-left-me lows of a relationship? At least, that's what I thought...until I met HIM. Damian No-Last-Name-Given is sexy as sin, and I'd developed some kind of weird, instant attraction to him the moment he settled his chiseled body next to mine on a flight from London to Los Angeles.

When Maud Marsh flings herself into George Bevan's cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud's aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

In the peace and tranquility of the woods at Pinehills on a Saturday afternoon, a mobile phone begins to ring. The phone belongs to DC Smith, and it isn't unusual that the call is from Kings Lake Central police station; what is unusual is the fact that he seems to be the subject of an investigation rather than taking part in one. What can the links be between a prisoner's violent death in another county, the disappearance of two teenagers, and the highest profile case in Kings Lake for many years?

Everything is not as it seems during those balmy summer days at one of Oxford’s most prestigious colleges. Lorcan Greene, wealthy gallery owner and expert forgery-spotter, is hired by Detective Braine of the Art Fraud Squad to investigate a tip-off in Oxford. But Lorcan gets more than he bargains for, falling in love with talented art student Frederica Delacroix. But what’s she hiding and could she even be involved in forgery herself?

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

When Detective Inspector Bridget Hart returns to her old Oxford college for a reunion dinner, she's hoping for a fun weekend catching up with old friends. But the reunion takes a macabre turn when body parts are served up at the college feast, and one of her friends is found murdered. With Bridget's arch rival Inspector Baxter leading the murder inquiry, and herself a potential suspect, Bridget is forbidden from taking part in the investigation. But that doesn't stop her from carrying out her own private inquiries. Bridget soon realizes that the murderer is someone known to her.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

The launch of a new exhibit at Bexford museum is derailed when Brock and Poole discover a body in its midst. With rumors of a lost treasure, a confusing array of suspects, and a personal stake in the case, they must focus to find their culprit. Which isn't going to be easy. Detective Sergeant Guy Poole is dreading confronting his mother with the truth and faces losing a second parent from his life. Detective Inspector Sam Brock's life is changing, and there are big decisions to make for the future. Can they untangle the web of mystery to find their killer?

When reclusive artist Gabriel Quinn is gunned down outside a gallery on Oxford High Street, Detective Inspector Bridget Hart investigates the world of contemporary art, where paintings can change hands for millions in the auction room. Bridget is convinced that the last words spoken by the artist - a mysterious code of eight digits and a letter - are key to unraveling the mystery of his death.

When Fergus tells Diana he's taking her on a flower-arranging retreat for her birthday, she should have been more suspicious. Especially when he announces that he's coming with her. After discovering the whole truth about the retreat, Diana is still considering how to murder Fergus...when one of their fellow flower arrangers is found dead - stabbed in the back with a mystery weapon. With the retreat on complete lockdown, Diana and Fergus have a mystery to solve that wasn't part of the itinerary. Will they find the killer before the clock runs out?

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

Chief Inspector Brian Hooley has a plan, and it won't make him popular. He wants to bring back autistic detective Jonathan Roper. Currently suspended on misconduct charges, his condition, coupled with a relentless work ethic, makes Roper a unique investigator with observational skills that allow him to see what others miss. But he is also a complex man who doesn't get social boundaries, and plenty of his colleagues just don't like him. Hooley doesn't care about that. He knows Roper is the one to make a difference.