Acting Techniques

In this completely updated edition of her bestselling book, renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood Let the instructor who taught Halle Berry, Brad Pitt, Charlize Theron, Jim...

William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing...

With numerous examples and exercises, Michael Chekhov's To the Actor seamlessly synthesizes his many years of theater and theater instruction into a concise, engaging handbook of techniques essential for every actor. With his tested methods you will learn how to more easily call up emotion, develop a character, strengthen awareness and train your body and imagination to reach its full potential.

Stella Adler was one of the 20th Century's greatest figures. She is arguably the most important teacher of acting in American history. Over her long career, both in New York and Hollywood, she offered her vast acting knowledge to generations of actors, including Marlon Brando, Warren Beatty, and Robert De Niro. The great voice finally ended in the early 1990s. But, her decades of experience and teaching have been brilliantly captured and encapsulated by Howard Kissel, in the 22 lessons you'll hear in this audiobook.

This comprehensive course is designed for actors aiming to master the diverse range of accents found across the United Kingdom and Ireland, offering an extensive foundation in both technical and cultural aspects of accent work, while maintaining accessibility for the novice learner. With an emphasis on authentic performance, the program provides step-by-step guidance on dialect production, using a wide variety of oral posture guidance, pronunciation exercises, and practical lexicon that actors can apply directly to their work.

The master acting teacher Richard Boleslavsky presents his acting theory and technique in a lively and accessible narrative form. Widely considered a must-have for beginning as well as established actors, Boleslavsky's work has long helped actors better understand the craft of acting and what it takes to grow as an artist. He has taught generations of some of the best stage and screen actors and actresses. Written in the form of a series of dialogues, these lessons aim to inform and instruct the budding actor on some of the basic principles of acting and learning to act.

With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how they are applied today. Beginning with Quintilian and Delsarte, he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actors Studio, Yale University, NYU, Juilliard and many more are visited. The Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today.

Constantin Stanislavski (1863-1938), arguably the most influential director in the history of the theater, was the founder of the renowned Moscow Art Theater. A pioneer of psychological realism and improvisation on the stage, he devoted his life to developing the performance techniques now emulated throughout the world.

Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who's hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation, working with the director, forming a character, voice, sound, and movement.

For more than 25 years, Bernard Hiller’s revolutionary techniques and exercises have produced unprecedented success for actors, artists, and performers all around the world. Acting is always evolving, and in The Revolutionary Guide to Acting Bernard shares the latest methods to help you gain vital skills for success in this competitive industry. Set yourself apart at your next audition by using Bernard’s unique techniques, and uncover the secrets to delivering unforgettable performances.

My name is Elizabeth Ruelas and I have been a professional stage actor, director, teacher, and co-founded and was the artistic director of The New Renaissance Theatre Company. I have also taught acting in universities as well as Introduction to Acting to non-majors. In this class, I will teach you the same techniques that I have used in my acting career as well as what I have taught professional actors and aspiring actors to help you better relate to your clients and customers.

Every budding actor knows acting is a difficult gig. There will be grueling auditions and punishing rejections. If you’re lucky, there’ll be roles that pay the bills and even roles that won’t. Roles we don’t believe in. So when the semester’s production project is announced and I’m cast as one of the leads, I’m ecstatic. A lot of responsibility, a lot of work, but I’m up for it. Even when I find out what my role is and who my partner is. Amos, the brooding James Dean wannabe, is my on-screen boyfriend. Which is great, except for the fact he hates me.

For almost 30 years, Lynne McGranger has been entertaining, enthralling and bringing smiles to TV viewers all around the world. A veteran of Home and Away, a popular soap opera syndicated to more than 80 countries, Lynne was recently acknowledged as a 'TV actor legend' when she became the longest-serving female cast member of any Australian TV show. Her beloved character, Irene Roberts, has been a font of wisdom, good humour and unforgettable lines for decades. But Lynne's story goes far beyond Summer Bay.

Acting & Auditioning for the 21st Century covers acting and auditioning in relation to new media, blue- and green-screen technology, motion capture, web series, audiobook work, evolving live-streamed web series, and international acting and audio work. Listeners are given a methodology for changing artistic technology and the global acting market, with chapters covering auditions of all kinds, contracts, the impact of new technology, and issues relating to disabled actors, actors of color, and actors who are part of the LGBTQIA community.

With the COVID pandemic has come the need to reinvent, to reimagine and to learn how to navigate the waters of a new landscape for most businesses - and that includes the business of acting, which is on the verge of the next great era of storytelling. Great art has always come out of challenging times and there will be - as there are now - great stories for actors and other content creators to tell from these challenges. The new normal includes new rules, new regulations and a new narrative about moving forward and thriving in this new artistic landscape.

Acting is living and behaving truthfully and fully under imaginary circumstances. But why are “truthfully” and “fully” so hard for us? Why is it so difficult to be in the moment with our art and in our lives?