Showing results by publisher "W. F. Howes Ltd" in Essays

You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along. She has wonderful and tickling words of advice for those fast approaching 50.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

‘Most smart people tend to feel queasy when the conversation turns to things like “certain death” and “total failure” and the idea of “a doomed generation”. But not me. I am comfortable with these themes.’ Hunter S. Thompson, celebrated author of Fear and Loathing in Las Vegas...

From one of the most unusual and distinctive writers working today, dubbed 'the most daring and delightful novelist of his generation' by the Guardian, Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature.

High heels, movie deals, wagon wheels, shoes, reviews, having the blues, builders, babies, families and other calamities.... Many think that Marian Keyes leads a glitzy life of limos, television, and showbiz parties - but she would argue that she spends the majority of her life writing alone, wearing her PJs, and eating bananas with a laptop on a pillow in front of her. Under the Duvet is a wide collection of her journalism and stories - all personal, closely observed, and painfully funny.

In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances, from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life and his restless and ever-curious mind.

In this vivid and powerful collection of essays, Emilie Pine boldly confronts the past to better understand herself, her relationships and her role in society. She speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Tackling subjects like addiction, fertility, feminism and sexual violence, and where these subjects intersect with legislation, these beautifully written essays are at one fascinating and funny, intimate and searingly honest. 

In the 1700s, an Irish noblewoman, on discovering her husband has been murdered, drinks handfuls of his blood and composes an extraordinary poem. Eibhlín Dubh Ní Chonaill s Caoineadh Airt Uí Laoghaire, famously referred to by Peter Levi, professor of poetry at Oxford University, as 'the greatest poem written in either Ireland or Britain during the eighteenth century'. In the present day, a young mother narrowly avoids tragedy. On encountering the poem, she becomes obsessed with its parallels with her own life, and sets out to track down the rest of the story.

Slide "Further Under the Duvet", get yourself comfortable, and let Marian take you places you've never been before. Places like the Irish air-guitar championships, a shopping trip to Bloomingdales with a difference, and Cannes with a chronic case of Villa-itis. Along the way you'll encounter knicker-politics, fake tans, sticky-out ears and passionate love affairs both with make-up and Toblerones.

Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. With acute sensitivity he describes daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. Nothing is too small or too vast to escape his attention; this is a personal encyclopaedia on everything from chewing gum to the stars.

How many times have we heard that reading builds empathy? That we can travel through books? How often have we were heard about the importance of diversifying our bookshelves? Or claimed that books saved our lives? These familiar words—beautiful, aspirational—are sometimes even true. But award-winning novelist Elaine Castillo has more ambitious hopes for our reading culture, and in this collection of linked essays, she moves to wrest reading away from the aspirations of uniting people in empathetic harmony and reposition it as thornier, ultimately more rewarding work.

Sebastian Barry's writing career has been as long and varied as it has extraordinary. Intimate, revealing and generous of heart, these three lectures—written and delivered as part of his three-year tenure as the laureate for Irish fiction—reflect on his life and career so far, and some of the formative moments and people he's met along the way.

When it was released to the public in 2022, ChatGPT awakened the world to a secretive project: teaching A.I.-powered machines to write and talk like human beings. Its creators had a sweeping ambition—to get machines to communicate for us. But if this came to pass, would it be liberation or subjugation?

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead. 

Provocative, smart, angry, wise and very, very funny, the essays in Things Are Against Us cover everything - from feminism to environmental catastrophe, labour strikes to sex strikes, Little House on the Prairie to patriarchal terrorism. Lucy calls for a moratorium on air travel. She rails against bras. She gives Agatha Christie a drubbing. And she pleads for sanity in a world that has spent four years in the company of Donald Trump. Things Are Against Us is electric. It’s vital.

With an incredible list of celebrated contributors including DAVID SEDARIS, NAOMI FRY, PATTI SMITH, SIAN CLIFFORD and JIA TOLENTINO, My First Popsicle revels in the delights of food in all its forms. Edited by ZOSIA MAMET—Shoshanna in Girls—this is a riotous, mouth-watering celebration of jelly, mac and cheese, donuts, the best sandwich in the entire world—and much more.

"How we interact with animals has preoccupied philosophers, poets and naturalists for ages," writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon, she's been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals, she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career. 

Zuzana Ruzickova grew up in 1930s Czechoslovakia dreaming of two things: Johann Sebastian Bach and the piano. But her peaceful, melodic childhood was torn apart when the Nazis invaded. Uprooted from her home, the teenage Zuzana faced a series of devastating defeats. A small slip of paper printed with her favourite piece of Bach’s music became her talisman.