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Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

The master of the macabre, Edgar Allan Poe has inspired generations of horror writers with his chilling Gothic tales and is also credited with inventing the detective fiction genre in 'The Murders in the Rue Morgue'. This radio collection features five of his classic tales - 'The Pit and the Pendulum', 'The Tell-Tale Heart', 'The Oblong Box', 'The Fall of the House of Usher' and 'The Masque of the Red Death'.

Not merely stories of suspense and horror, these are stories of honor and the struggle for justice. Howard Levy's original music complements these horror stories.

The tale of murder and terror, told by a nameless homicidal madman, influenced later stream-of-consciousness fiction and helped secure the author’s reputation as master of the macabre. The narrator relates with relish his murder and dismemberment of an old man. Poe’s revelation of the narrator’s madness is a classic study in psychopathology.

This audiobook is narrated by an AI Voice. The blue, veiled eye of an old man is an object that drives the main character to madness. Every time he sees it, aggression and a desire to murder arise within him. He decides to commit a crime. He carefully plans it, and for a week, every night, he...

This audiobook is narrated by an AI Voice. The Tell-tale Heart by Edgar Allan Poe is a haunting phsychological horror story told through the unravelling mind of an unnamed narrator. As absession turns to paranoia and guilt grows impossible to contain, Poe draws listeners deep into a chilling...

This is a story from the "Great Ghost Stories" collection.

In The Tell-Tale Heart, Edgar Allan Poe delves into the dark depths of guilt and madness. The story follows an unnamed narrator who becomes obsessed with the eye of an old man he lives with, ultimately leading to a horrifying act of murder. As the narrator tries to convince the reader of his sanity, he becomes haunted by the relentless beating of the old man's heart, driving him deeper into madness.

When a man is killed because of his deformed eye, his heart seeks revenge.

This audiobook is narrated by an AI Voice. A chilling first-person account of obsession, madness, and murder. Edgar Allan Poe's classic psychological horror story follows an unnamed narrator who insists on his sanity while describing the meticulous planning and execution of a crime. This...

"The Tell-Tale Heart" is a short story by American writer Edgar Allan Poe, first published in 1843. It is told by an unnamed narrator who endeavors to convince the reader of the narrator's sanity while simultaneously describing a murder the narrator committed. The victim was an old man with a filmy pale blue "vulture-eye", as the narrator calls it. The narrator emphasizes the careful calculation of the murder, attempting the perfect crime, complete with dismembering the body in the bathtub and hiding it under the floorboards.

Narrator and actor Glenn Hascall does a masterful job creating Edgar Allen Poe's madman endeavoring to convince the listener of his sanity while describing the murder he committed.

Edgar Allan Poe elevated the gothic story, developed the unreliable narrator, recast psychological terror, and reveled in both the horror and the supernal beauty of death. From Poe's rich, unrivaled imagination comes a collection of his most masterful works, including "The Black Cat", "The Fall of the House of Usher", and, of course, "The Tell-Tale Heart". Each story explores morbid themes of grief, greed, fear, and guilt, and together they embody Poe's grotesque obsessions...even the dread of being buried alive.

First published in an 1843 edition of The Pioneer, "The Tell-Tale Heart" is one of Poe's best-known stories. In it, an unreliable narrator is increasingly troubled by the clouded eye of the old man he lives with. Similar to "The Black Cat", "The Tell-Tale Heart" focuses on the effects of mental instability, crime, and guilt.

Poe tells the story of a nervous character, alleged to be “crazy” refusing all claims. He believes that his disposition arises from a heightening of the senses: "Above all was the sense of hearing acute" (74). The narrator takes care of a rich old man whose diseased eye he becomes obsessed with. He becomes so obsessed with this EvilEye that eventually, he decides to kill the old man. But what and how he will do it, is a mystery for you to find out.

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

In this unnerving Edgar Allen Poe tale, our narrator insists on his sanity after carefully calculating and committing the brutal murder of an old man because of his monstrous eye. He argues that it is quite sane to cut the body into pieces and hide it under the floorboards. Will our narrator's guilt be his undoing? To what extent will he go to defend his sanity?

Read by a woman, this rendition of the Poe classic stands out among the others. Nothing in the text suggests that the narrator is a man. How does the meaning shift when the narrator is a woman? What was the relationship between the narrator and the old man? Have a listen.