Showing results for "Max" in Entertainment & Celebrities

Nice women never wore makeup. Even the word was taboo in polite society—until Max Factor entered the scene. Born in Poland in 1877, Factor worked as a beautician for the Russian royal family, the Romanovs. In 1904, he fled to America, where he opened a cosmetics store in Los Angeles. Creating makeup originally for silent films, then the talkies, and, ultimately, color motion pictures, Factor designed looks for Katharine Hepburn, Rita Hayworth, Bette Davis, and countless other beauties of the day. Soon women everywhere wanted to look like their favorite glamorous stars, and Factor was there to help, bringing his innovative cosmetics to the general public.

George Miller made his first film, Mad Max, in 1976 after hiring unknown Mel Gibson and editing it in his kitchen. It would become the most profitable film ever made. Miller and Max is the story of two heroes. One, a globally recognised dystopian warrior. The second, the artist who created him. Written with the cooperation of a role call of cast, crew, family and associates, author Luke Buckmaster gets behind the scenes of both the set and the man: revealing the Max in Miller.

As a thank you to those who have loved the stories and supported him for so long, Tucker has gone back through his massive archive of material one last time, culled out what you might call the "best of the rest" and arranged it here, in Sloppy Seconds, like an audiobook version of deleted scenes. Unlike most deleted scenes, however, these don't suck. So enjoy.

Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation.

ESTE É UM EPISÓDIO DA OBRA "CARTA PARA O MEU JOVEM EU", DE. JANE GRAHAM, QUE APRESENTAM CARTAS PARA HARRIET HARMAN E SIR MAX HASTINGS MAIS JOVENS. SE...

In November 1923, Max Ehrmann, the poet of the classic Desiderata, interviewed Theodore Dreiser, winner of the Nobel Prize for Literature. For two days, they discussed the life of Paul Dresser (Dreiser’s brother), the composer of "On the Banks of the Wabash, Far Away". When Dresser died, in 1906, he was a penniless alcoholic. Ehrmann was determined to rehabilitate his image. Dalgleish explores the background to Ehrmann’s quest, his relationship with Dreiser, and the consequences of their meeting in Washington, DC.