Showing results for "James" in Artists, Architects & Photographers

You’ve heard the names. You’ve seen the paintings. Maybe you even thought they were just Ninja Turtles. But behind the marble and oil paint were four real men—Leonardo da Vinci, Michelangelo, Raphael, and Donatello—who didn’t just create art. They rewired civilization. This isn’t a sleepy art history book. It’s a front-row seat to the most creative, competitive, and gloriously petty era in human history. Rivals, patrons, popes, politics, and power—it’s all here.

Leonardo takes you inside the brain of a man who painted the most famous face on Earth, sketched helicopters in the 1400s, dissected corpses to understand beauty, and wrote in mirrored code while inventing robots no one would build for centuries. He didn’t separate art and science. He didn’t follow disciplines. He followed truth. And he left behind a world forever warped by the intensity of his attention.

He died broke, bleeding, and unknown. Now he’s priceless. Van Gogh: A Life in Color, Pain, and Immortality isn’t your typical artist biography. It’s a raw, unfiltered journey into the soul of a man we turned into a myth — and what we lost when we did. This book peels away the poster boy tragedy, the swirling clichés, and the pop-culture memes to reveal the real Vincent: a failed preacher, a frantic letter-writer, a man who lived on bread crusts and absinthe — and painted like the stars were screaming.

John James Audubon's The Birds of America stands as an unparalleled achievement in American art. With that work, Audubon became one of the most adulated artists of his time, and America's first celebrity scientist. A self-made man incessantly striving to secure his place in American society, Audubon made himself into a skilled painter, a successful entrepreneur, and a prolific writer, whose words went well beyond birds and scientific description.

In this Pulitzer Prize-finalist biography, the author of Mad at the World examines the little-known life of the man behind the well-known bird survey.

À l’origine de ce récit, il y a un journal tenu il y a une douzaine d’années. L’acteur y consignait observations, réminiscences, réflexions et instantanés de vie, composant au fil des pages une déambulation sans itinéraire défini, à la manière de Journal intime, le film de Nanni Moretti.

Cv/VAR 47 documents an interview with the the celebrated sculptor Arman (1928-2005), exploring his early connections with Yves Klein, Rosicrucianism, and the development of auto-formed sculptures of collected objects.