Showing results for "Opera" in World Literature

A malicious spectre haunts the Parisian Opera house. This murderous fiend speaks through walls, abducts innocents through mirrors, and holds the opera management in a cruel state of hostage. But when this monster falls for the beautiful Christine Daae, his powers of attractive enticement and malevolent mayhem all come to the surface. Who can put an end to this reign of terror? Discover the wonders of Gaston Leroux's gothic thriller in a way that will tantalize the senses.

Brought to you by Penguin. The Phantom of the Opera is Gaston Leroux's exquisite blend of Gothic horror and tragic romance, which formed the basis for a world-renowned stage musical. This Penguin Classics edition is translated with notes by Mireille Ribiere, and an introduction by Jann Matlock...

Des événements étranges ont lieu à l'Opéra : le grand lustre s'effondre pendant une représentation, un machiniste est retrouvé pendu. La direction doit se rendre à l'évidence : un fantôme ou un homme machiavélique nommé Erik hante le théâtre. Certains affirment avoir vu le visage déformé de cet être qui ne semblerait pas être humain. Peu après, les directeurs de l'Opéra se voient réclamer 20 000 francs par mois de la part d'un certain « Fantôme de l'Opéra » qui exige aussi que la loge numéro 5 lui soit réservée.

New opera enthusiasts and seasoned aficionados alike will delight in Dale Harris' witty and insightful analyses of La Traviata, Carmen, The Magic Flute, and La Boheme. The notable music critic, whose lectures at the Metropolitan used to be sell-out events, examines these operas in terms of libretto, plot, music, performance history, and cultural background, amply illustrated with musical examples.

Un fantasma enmascarado recorre las galerías secretas de la lujosa Ópera Garnier de París aterrorizando a los empleados. ¿Qué horror se oculta tras la máscara? ¿Un malvado ser de ultratumba? ¿O solo un hombre obsesionado con vengarse de quienes lo rechazaron por su aspecto repulsivo? Sea cual sea la respuesta, nadie está a salvo del fantasma.

Dal Taccuino dell’aiuto-regista impaginato da Bruno Munari a Parliamo d’altro, passando per L’uovo alla kok, straordinario capolavoro di letteratura gastronomica, per la prima volta sono qui raccolte in un unico volume tutte le opere di Aldo Buzzi (1910-2009), "maestro nascosto" della nostra letteratura. Eclettico, (auto)ironico, imprevedibile, in oltre sessant’anni di scrittura Buzzi conduce il lettore dalla Roma del cinema di Fellini e Lattuada alla New York dell’amico Saul Steinberg, alla Russia di Cechov.

Adel and Kamil, two young good-looking Turkish men try to immigrate to North America. Adel's ruthless grand-uncle arranges him to marry Yonka (his spoiled obnoxious cousin) in exchange for his immigration status in Canada. The problem is Yonka and Adel hate each other. The drama heats up even more when Adel has an affair with Nora, his beautiful English teacher which ruins Yonka's plans. And to add to this, his best friend Kamil has a big secret of his own. How did his life turn into a Turkish soap opera?

A baffling series of incidents at the majestic Paris Opera sparks frightening rumors about a mysterious opera ghost. Performers are ill-at-ease when they sit alone in their dressing rooms, alleging to have seen the enigma in evening clothes moving about in the shadows. Then a young and beautiful prima donna is visited by a masked "Angel of Music" who teaches her to sing and jealously demands her devotion—but with a price. With an increasing pattern of fear and violence, the phantom of the opera begins to strike, but always with a beautiful young performer at the center of his deadly desires.

Jazz is a 17-year-old, sassy diva who strives to carry herself with class and dignity. But thanks to her ego-struck boyfriend and envious cousin, she soon finds out that classiness will get you nowhere but humiliated and heartbroken.

Questo audiolibro è nato per goliardia e per far felici gli amici e le persone più care. L'autore-curatore-lettore mette a testo una serie di strampalati ma divertenti componimenti poetici, ora in forma di haiku incerti e zoppicanti, ora in quella di sonetti petrarchisti tradizionalmente intesi, attribuendone la paternità al fantomatico Makaga-to Ukatzu, con tanto di studio critico introduttivo.

The origin of the story begins in 1971 at the height of the Vietnam War and the civil rights movement when a group of activists broke into an FBI office in Media, PA. At first, the significance of their findings was overshadowed by the more famous Pentagon papers a few weeks later. The papers documented Hoover’s 50-year obsession with finding and destroying a "Black Messiah". What Hoover in his evil genius never considered was if there was a "Black Messiah" out there, he might not be Black. This is the story of Hoover's hunt, which left a trail of assassination and destruction.