Iggy Pop recalls inviting Blondie to tour with him at a time when David Bowie was playing keyboards in his backing band. "Debbie was an American ponytail girl as seen through the lens of Roger Vadim; Barbarella on speed, or something like that."

With Barbella on speed and Chris Stein right behind her, Blondie had all the ingredients to take on the world. But would internal friction pull the band apart? Would anyone take a blonde bombshell seriously as a frontwoman in a rock n roll band, and would Mike Chapman be able to polish these rough diamonds enough to see them dazzle the world?

The only way to find out is to turn on, tune in, and call me.

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By the mid-1980s, apartheid-era South Africa was subject to a global cultural boycott, strongly advocated by the African National Congress (ANC) and supported by the United Nations. Musicians were explicitly asked not to perform, record, or collaborate in South Africa, regardless of intent. In 1984–85, Paul Simon traveled to South Africa to record with Black South African musicians, including members of Ladysmith Black Mambazo. He did not seek ANC approval beforehand and broke the cultural boycott in the process. But was it worth it? Did Simon accomplish anything creatively or culturally worth his bold contravention of the global attitude toward the South African regime?

The only way to find out is to turn on, tune in, and call me Al.

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We're joined by Crowes superfan and all round wonderful fella Dave Lasseter to pull apart Amorica and Tall and to chat about how good the Crowes were live! We also take a run at resequencing the album taking into account every track we have to choose from. Kev and Corey weren't hot on Cursed Diamond, so will Dave hang up the call? Will we get into any trouble for our edits, and will Corey finally open this damned treacle mine!

The only way to find out is to turn on, tune in, and tell me where you have been.

Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!

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