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Eyes of the Void

The Final Architecture, Book 2

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Eyes of the Void

By: Adrian Tchaikovsky
Narrated by: Sophie Aldred
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Summary
What waits in the shadows as we fight our greatest foe?


Eyes of the Void is the second high-octane instalment in Adrian Tchaikovsky's Final Architecture space opera trilogy. From the author of the thrilling science-fiction epic Children of Time, which won the prestigious Arthur C. Clarke Award.

The series is read by Sophie Aldred (Doctor Who)


After one great battle, the Architects disappeared. Yet humanity’s fragile peace is brief. For, forty years later, the galaxy’s greatest alien enemy has returned. This time, the artefacts that preserved entire worlds from destruction are ineffective. And no planet is safe.

The Human Colony worlds are in turmoil as they face extinction. Some believe alliances with other species can save them. Others insist humanity must fight alone. But no one has the firepower or technology to ensure victory, as the Architects loom ever closer.

Idris spent decades running from the last war’s horrors. Yet as an Intermediary, altered to navigate deep space, he’s one of humanity’s only weapons. He’s therefore forced back into action. With a handful of allies, Idris must find something – anything – to stop the Architects’ pitiless advance. But to do so, he must return to the nightmare of unspace, where his mind was broken and remade. What he discovers there will change everything.

‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini, author of Fractal Noise

Listeners love Eyes of the Void:

‘Sophie Aldred is a brilliant narrator’

‘The narrator does a great job whether it be human characters of any gender or the screeching voice of an aliens translator’

‘A fantastic climax that has me very excited to finish the story with the third book’

Adventure Fiction First Contact Genetic Engineering Science Fiction Space Exploration Space Opera Interstellar
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Critic reviews

A thoughtful, sweeping space adventure (SFX Magazine on Shards of Earth)
A rip-roaring space opera featuring starship battles, genetically enhanced superhumans and multiple weird and wonderful aliens . . . I can't wait to read the next one (New Scientist on Shards of Earth)
Breathtaking scope and vision. Adrian Tchaikovsky is one of our finest writers (Gareth L. Powell, author of the Embers of War series, on Children of Ruin)
Enthralling, epic, immersive and hugely intelligent (Stephen Baxter, author of the Xeelee Sequence, on Shards of Earth)
He writes incredibly enjoyable sci-fi, full of life and ideas (Patrick Ness, author of The Knife of Never Letting Go and A Monster Calls, on Shards of Earth)
Adrian Tchaikovsky turns the HP Lovecraft dial to 11 (The Times, Best Science Fiction Books 2021, on Shards of Earth)
Tchaikovsky has consolidated his position as the finest purveyor of high-quality space opera around . . . deft and clever, expansive and readable, all informed by Tchaikovsky’s superbly baroque imaginative fecundity (The Guardian, Best Science Fiction and Fantasy Books 2021, on Shards of Earth)
One of the most interesting and accomplished writers in speculative fiction (Christopher Paolini, author of To Sleep in a Sea of Stars and Fractal Noise)
All stars
Most relevant
Normaly I have an audible book to listen to before I go to bed ( years past I would have read a book but with age your eyes do complain about that sort of thing ) But this book and the one before it I found I was listening to it at work in the car at home totaly lost in the story and the rich world and spaces involved in it and the artful Narration by Sophie Aldred made it a wonderful combination Ordering the 3rd book as i write this. well worth a listen or a read if you have the time

thank you Adrian Tchaikovsky for you wonderful story

Totaly wonderful second book

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Superb story and performance.
Can’t wait for the next instalment!
Highly recommend to all space opera fans.
o7 Commanders!

Excellent

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Sweeping imagination for the universe backdrop. Mysterious and vividly imagined. There is nobody like the author for these sort of imaginative flights in the contemporary scene really. But characterization a little weak and the main character tedious and a little pathetic (not in a good way). Politics are very woke and sometimes get in the way of the scene building. I think some of this will date very quickly. Narration is very game with lots of voices and characters and I am sure this took lots of work but the voicing for Idris is dull (fitting the character) but this makes it very hard to listen to these segments. I can't quite work out if the narration is making this worse or if it is just problems of characterization. I struggle on for the ideas but these central problems get in the way of really enjoying all of this.

Sweeping imagination for Setting, but ...

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The only reason I'm continuing with this series is because the story is very good. Sophie Aldred's screeching and space Russian is some of the worst narration I've ever experienced.

Good book, extremely distracting narration

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After finding it quite difficult getting into the first book, the eyes of the void was ash to follow.

Both the study and performance were engrossing.

A worthy continuation

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