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Many authors have been accused of betraying their loved ones by turning them into fictional characters. In The Treacherous Imagination, Robert McGill examines the ethics of writing such stories. He argues that while fiction has long appealed to audiences with its narratives of private life, contemporary autobiographical fiction channels a widespread ambivalence about the value of telling all in a confessional age - an age in which fiction has an unprecedented power to leave people feeling libeled or exposed when they recognize themselves in it.

Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she’ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan’s wish come true.