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In Fathers and Sons, Ivan Turgenev masterfully explores the widening chasm between generations in 19th-century Russia through the lens of his iconic characters. The novel introduces Yevgeny Bazarov, often hailed as the first Bolshevik, whose nihilistic stance and rejection of traditional values symbolize the clash between the old order and the emerging nihilist movement. Written in response to the cultural divide between the liberals of the 1830s/1840s and their radical successors, Turgenevs work also juxtaposes these progressive ideologies with the conservative Slavophiles, who championed ...

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticising the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society.

Nine classic works by the Russian literary giant, adapted for BBC Radio Ivan Turgenev stands alongside Tolstoy and Dostoevsky as one of the three great Russian novelists of the 19th century. He was also a consummate short story writer, poet and playwright, and the first Russian author to become...

At the end of a dinner party, the remaining guests drink wine and tell stories of their first love. For one of them, it will be a dark journey into his past, reawakening unbearable memories of his obsession with the beautiful Zinaida.

Dalla dolcezza di un'estate nella campagna russa nella prima metà del XIX secolo alla cupa atmosfera di intrigo e magia della corte di Ferrara ai tempi dell'Ariosto. L'innocente amore del giovane Vladimir per la bellissima e affascinante Zinaida, che ai suoi occhi di adolescente incarna l'ideale dell'eterno femminino; la torbida passione di Muzio che, grazie alla magia nera appresa in Oriente, vuole strappare Valeria, che ha respinto il suo amore, a suo marito Fabio.

When young Russian aristocrat Dimitri Sanin, on his way home from Italy, enters a patisserie in Frankfurt, he little dreams it will alter the course of his entire life. Faced with Gemma, the most beautiful girl he has ever seen, he is blown away by the spring torrents of love. But fate has a challenge in store for Sanin, one he must successfully overcome or else he will lose his chance of future happiness.

Set against the backdrop of the 1850s, On the Eve emerges in 1860, just two years prior to Turgenevs renowned novel Fathers and Sons. The story follows the young Elena Nikolaevna Stakhov, daughter of the distracted Nikolai Arteyemvitch and Anna Vassilyevna Stakhov, as she navigates the complexities of her relationships. Misunderstood by her parents—who are more concerned with their own intrigues than Elenas well-being—she finds solace in the company of the aspiring professor Andrei Petrovitch Bersenyev and the ambitious sculptor Pavel Yakovitch Shubin, both of whom may harbor feelings for ...

Join the journey of Turgenevs enigmatic hero, Tchulkaturin, who embodies the quintessential Russian archetype, the superfluous man. This character is no prince, but a man of comfort living a monotonous life, aimlessly led by circumstances that threaten to consume him. This novella is structured as a diary, which Tchulkaturin begins writing after a terminal illness diagnosis. His entries, spanning a mere two weeks, encapsulate the countdown to his inevitable end. In these pages, Tchulkaturin rehashes the one meaningful event of his life - a one-sided love affair leading to a non-fatal duel that...

In Turgenevs last and most expansive novel, we journey into late nineteenth-century Russia, where a group of disillusioned young individuals challenge the rigid social hierarchies and power dynamics of their time. Driven by a fervent desire to inspire revolutionary change among the peasant and working classes, they rally around a Populist cause. This compelling narrative weaves together a rich tapestry of characters—from aristocrats to artists, from workers to dreamers—unveiling the raw emotions and conflicts that arise as they navigate their ideals and realities. This first volume ...

In the gripping second volume of Turgenevs final novel, the tides of social change clash with the entrenched order, leading to intense conflicts that test the characters resolve and motivations like never before. This recording covers Chapters 21-38, continuing the journey from the first volume, which encompasses the first half of the book. Join us as we delve deeper into the lives and struggles of these compelling figures.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

The title of the novella serves as a poignant reminder of the universal boy-meets-girl-then-loses-her narrative. While this theme may seem familiar, Turgenev infuses it with originality and depth. The story is marked by a surprise ending that, while not entirely unexpected, resonates deeply. Turgenevs skill lies in his ability to create powerful turning points—akin to Joyces epiphanies—that irrevocably alter the characters lives, leading to a tragic conclusion. Nature symbolism is beautifully woven throughout, elevated by exquisite poetic similes, such as the striking image of a speckled ...

When Arkady Petrovich comes home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away traditional values of contemporary Russian society.

Ivan Sergeyevich Turgenev (1818-1883) was a Russian novelist, short story writer, poet, playwright, and popularizer of Russian literature in the West. Fathers and Sons (1862), one of the most acclaimed Russian novels of the 19th century, deals with the growing cultural divide between two generations or mindsets of Russians. Both the nihilists (the "sons") and the 1830s liberals (the "fathers") sought Western-style social change. "Mumu" (1854) is the story of Gerasim, a deaf-mute serf whose life of poverty is thrown into stark relief by his rescue of the dog Mumu.

The title of the novella is almost an adequate summary in itself. The "boy-meets-girl-then-loses-her" story is universal but not, I think, banal - despite a surprise ending which notoriously turns out to be very little of a surprise. First Love is given its originality and poignancy by Turgenev's mastery of the piercing turning-point (akin to Joyce's "epiphanies") that transforms the character's whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes - e.g. "but at that point my attention was arrested by the appearance of a ...

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.

Step into the mesmerizing world crafted by world-renowned Russian author Ivan Turgenev, as he presents a captivating collection of stories that delve into dreams, lost love, fleeting specters, and ominous premonitions. This anthology also features a selection of sketches and prose poems, all penned in Turgenevs deceptively simple but profoundly articulate style. These aren‚t your typical tales of romance and nature; instead, Turgenev intertwines a thread of cynicism and melancholy that enriches his poetic language, inviting readers to explore the deeper complexities of the human experience. ...

A selection of stories about love and romance from the best storytellers of the world including Shakespeare, Chekhov, and Turgenev trying to express love in all its forms. This volume opens with iconic Romeo and Juliet's tragic love story dating back to antiquity, followed by very passionate and quite unusual love between a doctor and his patient in 'The District Doctor' by Ivan Turgenev. And last, but not least, a story from the master of human relationship and psychology, Anton Chekhov and his story of 'The Man in a Case'. Read in English, unabridged.

Arkady Kirsanov is due to move back home after attending university, much to his father’s delight. He also brings with him a close friend, Eugene Barazov, who Arkady’s father warmly receives. But before long, tensions begin to rise in the household: Arkady and Eugene’s philosophies – promoting concepts such as nihilism – are beginning to make Arkady’s father uneasy. Their views are too radical – and they reject the traditional Russian life Arkady’s father so carefully created for himself and the family.

First Love by Ivan Turgenev. The title of the novella is almost an adequate summary in itself. The "boy-meets-girl-then-loses-her" story is universal but not, I think, banal - despite a surprise ending which notoriously turns out to be very little of a surprise. First Love is given its originality and poignancy by Turgenev's mastery of the piercing turning-point (akin to Joyce's "epiphanies") that transforms the character's whole being, making a tragic outcome inevitable. Even the nature symbolism is rescued from triteness by lovely poetic similes - e.g. "but at that point my attention was ...