Movie Adaptation

The White Hotel, one of seven 'unmade movies' available on audio, centres around circus performer Lisa, who visits famous Berlin psychoanalyst Dr Probst to discover the cause of her mysterious breast and pelvic pains. Reading her sexually charged journal, Probst concludes that the answer lies in her past. But then Lisa reveals her unsettling premonitions - 'I see what is going to happen. And what is going to happen cannot be endured.' Is her trauma really the result of childhood memories or a dark vision of the future?

Alfred Hitchcock and Ernest Lehman's unfinished screenplay, completed by Mark Gatiss 'Achingly tense scenes... and a masterpiece of a climax' Radio Times The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had...

The Hook, one of seven 'unmade movies' available on audio, is set in New York's docks in 1951, where hundreds of longshoremen queue up at dawn hoping to be given a counter and a place in the day's gang. It's hard, dangerous work, but in a world ruled by corrupt union bosses on the take, they have no choice but to accept it. Then a tragedy occurs, and one man, Marty Ferrara, decides to fight back....

The annals of movie history are full of lost treasures - spectacular scripts from world-renowned writers that could have been classics, had they only been made. Now, for the first time, some of these forgotten gems have been brought to life, fully realised as vivid, cinematic radio productions. Scripted by major 20th-century writers, including Harold Pinter, Arthur Miller, Alfred Hitchcock and Dennis Potter, they star a host of A-list actors and feature richly evocative, atmospheric soundtracks.

The labyrinth of tunnels beneath Corvis is home to some of the city’s worst criminals, but now even these hardened thugs have reason to watch their step in the dark, shadowy undercity. Death moves in that darkness, leaving behind a trail of horribly mangled bodies. The identity of the killer is a mystery, although his calling cards - brutally savaged corpses and a distinct, repulsive odor - are constants at each bloody murder scene.