Film Art

Blockbuster box office. Critical acclaim and Oscars recognition. From Get Out and Weapons to The Substance and Sinners, the horror genre is enjoying a glorious–and gory–golden age. Screaming and Conjuring details the films and frights that led to this extraordinary renaissance, from the release of the groundbreaking Scream in 1996 to the arrival of 2013’s The Conjuring, which spawned a multi-billion dollar franchise.

From Oscar-winners and cult favorites, big budget blockbusters and indie darlings, this captivating series takes you on a deep dive into the pivotal projects that defined the careers of six extraordinary filmmakers—Cameron Crowe, Natasha Lyonne, Ron Howard, Amy Heckerling, Richard Linklater, and Chloé Zhao. Through candid anecdotes and behind-the-scenes stories, these artists reflect on the formative experiences, creative breakthroughs, and personal inspirations that gave rise to their most iconic work.

From the triumphant “Main Title” in Star Wars to the ominous bass line of Jaws, John Williams has penned some of the most unforgettable film scores—while netting more than fifty Academy Award nominations. This updated and revised edition of Emilio Audissino’s groundbreaking volume takes stock of Williams’s creative process and achievements in music composition, including the most recent sequels in the film franchises that made him famous. Audissino details his lasting impact and cements his legacy as one of the most important composers in movie history.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.

For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.

Filmmakers, film students, documentary makers for film and television, and lovers of pop culture will hear, in the filmmakers’ own words, the challenges and triumphs faced in making documentaries. Firsthand knowledge is shared on such topics as how the documentary process differs from making fictional films, storytelling technique, ethical boundaries, funding, film festivals, and much more.

Создание комедии—серьезное дело. Это путешествие, полное опасностей и страхов—но если следовать концепциям и структурам, описанным в этой книге, оно пройдет гораздо легче. Стив Каплан объясняет, почему комедии обычно не вписываются в традиционные драматические структуры повествования, и определяет новые ритмы, которым может следовать комедийный автор.

William Esper, one of the leading acting teachers of our time, explains and extends Sanford Meisner's legendary technique, offering a clear, concrete, step-by-step approach to becoming a truly creative actor.Esper worked closely with Meisner for seventeen years and has spent decades developing...

This study of Jaws (1975) examines how Steven Spielberg's breakout film not only redefined the thriller but also pioneered the summer blockbuster, cementing his reputation as a master filmmaker. Against the odds of a catastrophic location shoot, 27-year-old Spielberg delivered a film so effective that it became the highest-grossing movie of its time, transforming Hollywood's approach to event cinema.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

A reflection on how to listen and pay attention amid the constant noise that saturates our public and private lives. From podcasts sounding through earbuds to talk shows blaring from televisions, from the continuous stream of social media on our phones to doctors' waiting rooms with pumped-in music, we face different sounds, soothing and alarming. Some are welcome, some are not, but all demand our attention, often to distraction. Whether we're at home or out and about, someone or something is broadcasting—hoping to be heard. How do we navigate a culture, a society, like this?

Аудиокнига «Уже смешно: Как писать комические тексты»—ваш путеводитель в мире комедии и юмора. Если вы задавались вопросом, как рассказывать шутки друзьям, как добавить юмора в свои тексты или презентацию, как сделать остроумным устное выступление, то здесь вы найдете простую формулу написания шуток, которую используют профессионалы.

Most screenwriting books tend to focus on story structure, scene writing, navigating the business, and other parts of the craft that come after the initial choice of the central concept for a story. Multiple Emmy- and Golden Globe-winning writer/producer Erik Bork (HBO’s Band of Brothers) takes a different approach. His experience in the industry and as a screenwriting professor and coach have led him to recognize that it's the selection of the initial idea that is the most important part of the process - with the most impact on the project's chance of success.

Lontano dalla grande distribuzione cinematografica, c'è un mondo di registi indipendenti che lavorano in silenzio, senza pretendere nulla, ostacolati dalla burocrazia e dalla mancanza di appoggi che non gli consentono di dedicarsi alla loro arte in santa pace. Tra loro c'è Marco Pollini, un regista indipendente veronese, proprietario di una piccola società di distribuzione, Ahora!, uno che i film li vuole fare comunque, nonostante tutto e tutti, persino contro il parere di sua moglie.

So, you want to make a movie and you’ve never done it before. Well the Independent Filmmaking: The Ultimate Guide is a book that can get you started on the right path and learn what to expect going on the journey of independent filmmaking. You will learn the basics of script writing, pre-production, finding cast and crew, production, camera, lighting, sound, editing, and distribution, just to name a few. Learn from me, a filmmaker who has learned and found success in making independent films while seeing and going through all the pitfalls.

One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies.