American Theatre

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

When does popular entertainment become art—and who is responsible when it does not? In The Theatre, celebrated drama critic George Jean Nathan delivers a sharp, unapologetic assessment of the American stage during the early twentieth century. Nathan examines a theatrical culture in which safe...

"Ira Weitzman is the ultimate backstage presence, someone whose influence is essential but of whom audiences are totally unaware.” (Playbill Magazine) In the landscape of American musical theatre one figure stands as a quiet architect of some of its most ground-breaking works. For nearly five...

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.  

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

It is hard to imagine Christmas season without the rich and fanciful Yuletide tales of Charles Dickens. Indeed, late 19th century newspapers in both England and the United States hailed him as "The man who invented Christmas". This Magical Reality Chautauqua Show Presentation illustrates why. Dickens guides us through scenes of merriment, redemption and poignant joy.

Bloomsbury presents Theatre and the USA by Charlotte Canning, read by Jennifer Woodward. How is the individual and the ‘nation’ constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the ‘people’ in ‘We the People’? This...

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

For young dance lovers, a picture book about a young boy whose father has the unique position as a ballet dancer. Written by American Ballet Theatre principal dancer Thomas Forster. Ben and his friends are playing in their favorite part of the classroom-- the dress-up corner! They are talking...

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

"Telling Tales of Civil Warriors" has been adapted and expanded from the Audie Award-winning production of The Civil War Tales of Ambrose Bierce and has been selected by AudioFile magazine as a recipient of it's prestigious Earphone Award.

Telling Tales of Civil Warriors was recorded by Joel Block at The Production Block Studios.

The American cowboy came into the west to begin after a bloody civil war had ended. He worked long hours in lonely cow camps and his pay was meager, but he had grit and determination. He faced constant danger; he fought Indians and rustlers and braved swollen rivers and stampedes. And, finally, when the days of the open range were over, he rode off into the sunset. But his legacy lives on.