Showing results by narrator "David Timson" in All Categories

Winner of the Académie Française award 2010. "In a house on a suburban street in Nagasaki, meteorologist Shimura Kobo lives quietly on his own. Or so he believes. Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal? This prize-winning novel is a heart-rending tale of alienation in the modern world.

Chief of the Intelligence Department Sir Leonard Wallace - bearing always the hallmark of coolness and wit - is up to his earlobes in trouble. Summoned by the Viceroy of India, he makes a rapid flight to India to investigate the mysterious death of British officer Major Elliot and the theft of some very important dispatches.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

Further adventures by the master of observation and deduction, as faithfully recounted by his companion and greatest admirer, Dr Watson. The Adventure of the Bruce-Partington Plans, The Disappearance of Lady Frances Carfax and The Adventure of the Dying Detective are among the stories. David Timson's award-winning performances continue with this series.

The rich life Sir Arthur Conan Doyle (1859-1930) is featured here: His work as a doctor, his novels and journalistic writings, his support of Spiritualism and his defense of fairies. This is a unique set for the 150th anniversary of his birth. After his early years in medicine, the writing talents of Arthur Conan Doyle took over. Sherlock Holmes and Professor Challenger were among his successes.

Travelling across the daemon world of Eidolon in search of the stolen Blade Encarmine, Blood Angels Captain Leonatos and his battle-brothers encounter survivors from the 409th Kadmeian Janissaries regiment of the Imperial Guard.

When the battle is done and the Space Wolves celebrate their many victories in the feasting halls of the Fang, many sagas are told, old and new, of heroes long gone and legends in the making. This collection contains three such tales of heroism and sacrifice. Contains the audio dramas 'Thunder From Fenris', 'Doomseeker' and 'Deathwolf'.

Rigoletto is simply wonderful entertainment with superb music. It is also much more - a daring (for its time) attack on aristocratic privilege, a tender love story, and an impassioned appeal on behalf of the disadvantaged, all set to music of such wealth and beauty that, with its sister operas La traviata and Il trovatore, it has defined Italian opera for 150 years. Overcoming initial trouble with the censors, Verdi's Rigoletto was a smash hit at its premiere and has not been out of the repertoire since. It’s not hard to see why.

The Flying Dutchman is the perfect opera with which to approach the operatic mountain that is Richard Wagner. It is short, has a great story (the legend of the Dutch captain doomed to sail forever unless redeemed through love), and the striking score has many pre-echoes of Wagner's later great music dramas. It contains wonderful tunes in its arias, ensembles, and big choruses, and the orchestral writing - from the gale that blows out of the Overture to the final theme of "Redemption through Love" - will "blow you away".

Although now beloved and revered by millions as the greatest composer who ever lived, Johann Sebastian Bach (1685–1750) was best known in his lifetime as an organist, and was eclipsed in fame as a composer by two of his twenty children. For the last twenty-seven years of his life he was a schoolteacher and choir director whose duties extended to meal supervision and dormitory inspection. Yet throughout his career he composed a vast body of music which is amongst the most joyful, dancing and enrapturing ever written.

The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome. Ovid’s love poems are both brilliant and evocative. In Amores, the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria and Remedia Amoris both lay down the rules for the game of love, which both sexes can play.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

The Magic Flute almost defines a masterpiece, because it can be enjoyed on every level. It is a superb fairy story, complete with dragons, demons, a handsome prince, and a lovely maiden seriously in need of rescue; it is a political satire, social commentary, and psychological drama; it is full of tunes from the playful to the heart-stopping, jolly songs, and deeply spiritual outpourings. It is, in short, "Mozart" - and there is no greater compliment than that.

Procopius appeared to be a loyal part of the Byzantine establishment, his official writing glorifying the deeds of the Emperor Justinian (d. AD 565). However, he also produced a work that he knew could never be published within the Emperor’s lifetime: The Secret History, a vitriolic indictment of the rule of Justinian and his wife Theodora. In The Secret History, the general Belisarius is presented as an idiot who is manipulated by his conniving wife Antonina, while the Emperor is depicted as a demon king, a dishonest and autocratic destroyer of established institutions.

Naxos AudioBooks presents the history of the Plantaganets as seen through the eyes of Shakespeare. These easy-to-understand introductions feature key speeches and scenes from the plays themselves, and are very accessible for children approaching Shakespeare for the first time, as well as being an invaluable aid to the history of the Plantaganets, from Richard II to Richard III. This set covers Richard II, Henry IV parts 1 and 2, Henry V, Henry VI parts 1, 2, and 3, and Richard III.

Tosca is Puccini at the peak of his theatrical power. The story of the jealous, impassioned opera singer Floria Tosca and her doomed love for the painter Mario Cavaradossi is played out against backgrounds both historically and geographically overwhelming. It is set in three great and historical locations of Rome during the Napoleonic era. Spectacle, sensuality, and cruelty battle for our attention in one of the most truly "action-packed" works of theatre. Enticing us with just a couple of the "great tunes" from this deeply affecting opera, David Timson then begins setting the biographical and operatic scene.

Carmen is among the most popular operas for all the obvious reasons: great characters, a gripping story, and fabulous music. But what sets it on a pinnacle is an amazing combination of three factors: a sizzling Gipsy heroine (one of the most psychologically complex and compelling characters in all theatre), great atmosphere (Spain, hot sun, the bull-ring), and the prodigality of melodic invention - one great tune after another, at least a dozen of which are the staples of Madison Avenue and the animated cartoon.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

In this collection are four of the finest cases of Mr. Sherlock Holmes, narrated by his faithful friend and admirer Dr. Watson. What was the mystery of the engineer's thumb? What was behind the disappearance of the race horse? Why did masked royalty walk up to see Holmes in Baker Street? These and other puzzles are solved in this collection by this bloodhound of a genius.

Sir Leonard is not a man to desire fame or notoriety. His chronicler has been forced to fall back on office records and information supplied by various members of the secret service to tell of the struggles of Wallace and his intelligence officers: of their battles against the Soviet Union, terrorism and subversion in the British Empire, Nazi Germany and the tentacles of global organised crime.