Showing results by narrator "David Timson" in All Categories

This is a story from the The Adventures of Sherlock Holmes I collection.

Don Giovanni has long been regarded as Mozart’s supreme theatrical achievement. The subject seems unpromising - the last day in the life of the notorious womanizer Don Juan - but the skill of the librettist allied to the genius of Mozart at the very peak of his powers has created a work which is not only highly entertaining but reflects an incredible understanding of the human condition.

Hawkwood’s in America for this gripping, action-packed follow up to the bestselling Ratcatcher – for fans of Bernard Cornwell, Conn Igulden and Patrick O’Brian DECEMBER, 1812 Britain is locked in a bitter war with America and Matthew Hawkwood, soldier turned spy, is stranded behind enemy...

A BBC Radio 4 full-cast dramatisation by Andy Barratt of Daniel Defoe's less famous sequel to the classic adventure 'Robinson Crusoe'. After returning to England from his island home, Robinson Crusoe sets sail once more in search of adventure. Starring Tim McInnerny as Robinson Crusoe, with...

Tosca is Puccini at the peak of his theatrical power. The story of the jealous, impassioned opera singer Floria Tosca and her doomed love for the painter Mario Cavaradossi is played out against backgrounds both historically and geographically overwhelming. It is set in three great and historical locations of Rome during the Napoleonic era. Spectacle, sensuality, and cruelty battle for our attention in one of the most truly "action-packed" works of theatre. Enticing us with just a couple of the "great tunes" from this deeply affecting opera, David Timson then begins setting the biographical and operatic scene.

No great composer’s story is more predominantly happy than Haydn’s, though even his has its share of clouds. A classic rags-to-riches tale, it sees him move from humble beginnings through decades as a liveried servant to his emergence as the most popular and successful composer of his time. One of the healthiest and least neurotic artists in musical history, he did more than any other single figure to pioneer the symphony, the piano sonata and the string quartet - and he was the first truly great practitioner of each.

La Bohème is one of the three operas - the others are Carmen and Aida - believed to be the most popular ever written. In the case of La Bohème the reason is that it virtually defines the term "romantic". The poignant story of Mimì and Rodolfo is told in music of such tender beauty, allied, as always, to Puccini’s intuition of what works in the theatre. The result is an opera that readily appeals to our emotions and senses.

Chief of the Intelligence Department Sir Leonard Wallace - bearing always the hallmark of coolness and wit - is up to his earlobes in trouble. Summoned by the Viceroy of India, he makes a rapid flight to India to investigate the mysterious death of British officer Major Elliot and the theft of some very important dispatches.

Carmen is among the most popular operas for all the obvious reasons: great characters, a gripping story, and fabulous music. But what sets it on a pinnacle is an amazing combination of three factors: a sizzling Gipsy heroine (one of the most psychologically complex and compelling characters in all theatre), great atmosphere (Spain, hot sun, the bull-ring), and the prodigality of melodic invention - one great tune after another, at least a dozen of which are the staples of Madison Avenue and the animated cartoon.

At the end of May 1381, the fourteen-year-old King of England had reason to be fearful: the plague had returned, the royal coffers were empty and a draconian Poll Tax was being widely evaded. Yet Richard, bolstered by his powerful, admired mother, felt secure in his God-given right to reign...

Ancient Egypt and the war with Ethiopia is the setting for Verdi’s grandest opera. It is the story of the love between Rhadames, the Egyptian general, and Aida, an Ethiopian slave, and the jealousy of Amneris, daughter of the King of Egypt. It was written in 1871 to a commission from the Khedive of Egypt to inaugurate the new opera house in Cairo. Aida generally is considered one of the most spectacular of Verdi’s operas.

The Flying Dutchman is the perfect opera with which to approach the operatic mountain that is Richard Wagner. It is short, has a great story (the legend of the Dutch captain doomed to sail forever unless redeemed through love), and the striking score has many pre-echoes of Wagner's later great music dramas. It contains wonderful tunes in its arias, ensembles, and big choruses, and the orchestral writing - from the gale that blows out of the Overture to the final theme of "Redemption through Love" - will "blow you away".

General interest in Buddism has never been higher. The story and teachings of a man who lived 2,500 years ago have a special resonance for us today, perhaps because he taught a way of life that was not based on belief in a creator god but rather on personal experience. "Test my words for yourself," he said. But what lies behind those distinctive images of the Buddha, seated with unshakeable poise, with eyes half-closed and a slight smile? How did Buddhism develop? And where does Zen fit in?

The Sherlock Holmes series read in unabridged form, by David Timson for Naxos AudioBooks, is widely regarded as one of the finest. Here, Timson brings his remarkable performance skills to one of Doyle’s full-length novels. Holmes and his faithful Dr Watson are summoned to a country house by a coded message. They arrive too late to save a life and then pursue the trail which leads to the unmasking of the murderer.

Die Fledermaus is one of the few operatic works to which the phrase "never a dull moment" can be truthfully applied. From the explosive opening of the famous overture - reminiscent of a volley of champagne corks - through the surging energy of the "Fledermaus Waltz" and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the "Duidu" finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself.

Puccini’s swansong has a claim to being the last great popular opera. Its melodies have enchanted audiences since its posthumous premiere in 1926, two years after Puccini’s death. It involves a chilling story of love and cruelty, an intriguing cast of characters against the exotic backdrop of Imperial China, magnificent choruses and ensembles, and dazzling orchestration in an exotic score that comprises a string of remarkable arias - among which the great tenor aria "Nessun dorma" is the jewel. It is more than Puccini’s last opera: It is the last word, in every sense, on Italian opera.

This is a story from the The Adventures of Sherlock Holmes III collection. In this collection are four more individual cases for Mr. Sherlock Holmes, narrated by his faithful friend and admirer Dr. Watson. They dive into the opium dens of London in "The Man with the Twisted Lip," recall the curious history of "The Musgrave Ritual," come face to face with the grisly evidence contained in "The Cardboard Box," and go on a wild-goose chase in "The Adventure of the Blue Carbuncle." The powers of Sherlock Holmes prevail.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

Sir Leonard is not a man to desire fame or notoriety. His chronicler has been forced to fall back on office records and information supplied by various members of the secret service to tell of the struggles of Wallace and his intelligence officers: of their battles against the Soviet Union, terrorism and subversion in the British Empire, Nazi Germany and the tentacles of global organised crime.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.