Showing titles in History & Criticism

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events.

Run the Song is also the story of how a professional critic, frustrated with conventional modes of criticism, finds his way back to a deeper relationship with music. When stumped or preoccupied by a piece of music, Ratliff starts to think that perhaps running can tell him more about what he’s listening to—let’s run it, he’ll say. And with that, the listener in turn is invited to listen alongside one of the great listeners of our day in this wildly inventive and consistently thought-provoking chronicle of a profoundly unsettling time.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

La biografía integral de Roger Waters, cerebro de una de las bandas más importantes de los últimos sesenta años, en un recorrido que va de su infancia—marcada por la desaparición de su padre en la guerra—a la ebullición cultural de la Inglaterra de los Beatles y los Stones y después. Syd Barrett, las giras, los discos, El lado oscuro de la luna, The Wall, David Gilmour, la militancia política y las peleas y polémicas de una carrera única que lo encuentra vital como siempre y tocando por todo el mundo a los 80.

La música está en todas partes: en las conversaciones cotidianas, en el ruido de la ciudad, en el bullicio de las calles y en los momentos de descanso. Es el lenguaje que nos conecta sin necesidad de palabras, nos emociona, nos moviliza y nos transforma. Desde los cantos de los esclavos africanos hasta la revolución del K-pop, pasando por la transgresión de Rosalía y la pureza matemática de Bach, la música ha sido el motor de historias, celebraciones y tragedias.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the listener to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.

A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant...

Beloved music critic Tom Breihan's fascinating narrative of the history of popular music through the lens of game-changing #1 singles from the Billboard Hot 100. When Tom Breihan launched his Stereogum column in early 2018, “The Number Ones”—a space in which he has been writing about every...

White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments.

This audiobook profiles the hottest rock 'n roll women, spanning the 1960s to current times - from Janis Joplin, Suzi Quatro and Chrissie Hynde to Courtney Love and Pink. With perceptive biographies and in-depth music critiques, author Alison Stieven-Taylor gives an up-close and personal look at the experiences, adventures, and musical passions of these extraordinary and talented women whose wild vocals and on-stage antics have made them rock 'n roll legends.

Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing - Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others - and their stories form a modern epic of the battles between innocence and cynicism, joy and terror. You'll never hear that beautiful music in quite the same way.

Thunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single "Something In The Air", which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as "one of the finest, most truly bizarre albums of the era" before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core.

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

House is the first descendant of disco. While Black and Hispanic communities were jamming and party DJs spinning records, a new birth of rhythm gave way to music lovers from Chicago and New York in the form known as house music. Developed in Chicago's underground dance club culture in the early 1980s, today house music is worldwide and continues to dominate most club scenes and has expanded beyond its subculture beginning.

Bob Dylan is the prince of self-reinvention and deflection. Whether it's the folkies of Greenwich Village, the student movement of the 1960s and 1970s, born-again Christians, the Chabad Lubavitch community, or English department postmodernists, specific intellectual and sociopolitical groups have repeatedly claimed Bob Dylan as their spokesperson. But in the words of filmmaker Todd Haynes, "The minute you try to grab hold of Dylan, he's no longer where he was."

As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.

During fifty years of publishing the “Bible of Rock and Roll,” Jann Wenner recorded a series of interviews that are now regarded among the most important historical documents of rock. From the hubris and pissed-off attitude of Pete Townshend, to the volcano that was John Lennon after the...

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

A one-of-a kind survey of rap and hip hop history from 1973 to today by Chuck D, arguably the most influential rapper in the world. In the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no...