Showing titles in Literary History & Criticism

This is an exuberant group portrait of four extraordinary writers, Zelda Fitzgerald, Edna St. Vincent Millay, Dorothy Parker, and Edna Ferber, whose loves, lives, and literary endeavors captured the spirit of the 1920s.

Reading was so important to Marcel Proust that it sometimes seems he was unable to create a personage without a book in hand. Everybody in his work reads: servants and masters, children and parents, artists and physicians. In this wonderfully entertaining audiobook, scholar and biographer Anka Muhlstein, the author of Balzac’s Omelette, draws out these themes in Proust's work and life, thus providing exciting highlights of some of the finest work in French literature.

Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.

From modern literature to menopause, from utopian thought to rodeos - in this classic collection of essays, Ursula K. Le Guin roves with her customary audacity over the intersecting arenas of literature, feminism, and social responsibility, exploding any received notions she comes across and revealing visionary possibilities in their stead.

This is a bi-monthly podcast featuring songs and stories from some lesser known fairy tales and folk stories. Stories which lean toward the grisly and unnerving, stories which might help us deal with the ogres and wicked step mothers in our own lives. You can support this podcast by buying Julia a cup of tea here https://ko-fi.com/voxchops xox

Short Stories in French for Beginners has been written especially for students from beginner to intermediate level, designed to give a sense of achievement, a feeling of progress and most importantly - enjoyment! Mapped to A2-B1 on the Common European Framework of Reference, these eight captivating stories are designed to give you a sense of achievement and a feeling of progress when listening.

Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord.

Agatha Christie revelled in the use of poison to kill off unfortunate victims in her books; indeed, she employed it more than any other murder method, with the poison itself often being a central part of the novel. Her choice of deadly substances was far from random—the characteristics of each often provide vital clues to the discovery of the murderer. Christie's extensive chemical knowledge provides the backdrop for A Is for Arsenic, in which Kathryn Harkup investigates the poisons used by the murderer in fourteen classic Agatha Christie mysteries.

In this groundbreaking work, Sara Ahmed demonstrates how queer studies can put phenomenology to productive use. Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached.

Language is the key to understanding and unlocking our complicated world. It is also the key to the human heart. East and West, North and South, regardless of race, sex, gender, colour, religion, ethnicity, nationality or any other category, we are all made of stories. Stories bring us together, but untold stories keep us apart. In losing our voice something in us dies. Words have the power to change minds, move hearts. They can help and heal, but just as easily, they can hurt and destroy. Deep within, we all know that words are magic, but we rarely, if ever, stop to think about ...

1994 saw one of Peter Cook's most acclaimed performances since his 1960s' heyday. Chris Morris' surreal and inventive questions brought out the very best of eccentric aristocrat Sir Arthur Streeb-Greebling - a character whom Cook had carried with him through 'Beyond the Fringe' and 'Not Only...

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Bestselling author and renowned professor Mary Karr offers a master class in the essential elements of great memoir—delivered with her signature wit, insight, and candor. Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of...

Good Noticings is the pop culture podcast that makes you smarter. Every week, comedians Claire Parker and Ashley Hamilton dive beyond the biggest headlines with thoughtful analysis and sharp banter. Tune in for recommendations and rapid-fire reviews of all the latest fiction, music, movies, and TV alongside their signature exploration of buzzy nonfiction. New episodes drop every Wednesday. From the Vox Media Podcast Network.

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

Generations of children have fallen in love with the pioneer saga of the Ingalls family, of Pa and Ma, Laura and her sisters, and their loyal dog. Laura Ingalls Wilder's Little House books have taught millions of Americans about frontier life, giving inspiration to many and in the process becoming icons of our national identity. Yet few realize that this best-selling series wandered far from the actual history of the Ingalls family and from what Laura herself understood to be central truths about pioneer life.

How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks—and answers. Taking us on a tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.