Showing titles in Coming of Age

One afternoon, a mother opens her front door to find the length of her son's body stretched out on the veranda, swaddled in akwete material, his head on her welcome mat. The Death of Vivek Oji transports us to the day of Vivek's birth, the day his grandmother Ahunna died. It is the story of an over protective mother and a distant father and the heart-wrenching tale of one family's struggle to understand their child, just as Vivek learns to recognise himself.

A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the 'primitive minds' of our ancestors. Teenage Silvie is living in a remote Northumberland camp as an exercise in experimental archaeology. Her father is an abusive man, obsessed with recreating the discomfort, brutality and harshness of Iron Age life. Behind and ahead of Silvie's narrative is the story of a bog girl, a sacrifice, a woman killed by those closest to her, and as the hot summer builds to a terrifying climax, Silvie and the Bog girl are in ever more terrifying proximity.

True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals and have politicians, doctors and their parents stop telling them what to do with their bodies. This revelatory novel plunges listeners into the halls of a residential school for the deaf, where they'll meet Charlie, a rebellious transfer student who's never met another deaf person before, Austin, the school's golden boy, whose world is rocked when his baby sister is born hearing and February, the headmistress, who is fighting to keep her school open and her marriage intact.

It's 1984 in The Valleys, South Wales, and Eluned Hughes is stuck. The miners' strikes are ravaging her family and community, and her boyfriend of six years, Lloyd, is starting to bring up marriage more than she would like. She spends her days selling shoes, listening to Madonna, and trying to hold it all together. Meanwhile, Eluned's clever and precocious little sister, Mabli, thinks she knows it all. Mabli takes her older, moneyed, Thatcherite, policeman boyfriend, Graham, as the ticket out of her working class reality.

When 79-year-old Arthur gathers his family together to share some important news, no one is prepared for the bombshell he drops: he's gay, and after a lifetime in the closet, he's about to come out. Arthur's daughter, Elizabeth, storms out. She swears that she won't have anything to do with her father again—and she forbids her children from seeing him too. Arthur's 21-year-old grandson, Teddy, has a secret of his own: he's also gay, and developing serious feelings for his colleague Ben. But Teddy doesn't feel remotely ready to come out yet.

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

Savannah "Sav" Henry is almost the person she wants to be, or at least she's getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.

Pride High: Book 1 kicks off a new series filled with LGBT voices, endearing friendships, and heartfelt romance.

It's summer, 1984, in blue-collar Swaffham, Massachusetts. Mel is thirteen, drinking a Slush Puppie at the drugstore, when she hears a voice, ‘deep and movie-star dramatic, like Lauren Bacall': Sylvia. What follows is a story of transgender awakening. Sylvia's shameless swagger and tough-girl trans femininity is an affront to the Swaffham locals, and her presence triggers hatred and, ultimately, violence. But it is also a catalyst for Mel. Through her friendship with Sylvia, Mel comes to realize that not only is there a world beyond Swaffham, there are other ways of being.

Danny Scudd is absolutely fine. At 27 years old, he's finally moved to London and escaped his parents' tiny fish and chip shop, his beloved collection of house plants are thriving and every Monday evening he has a date night with his boyfriend, Tobbs. But Danny's life is thrown into chaos when he discovers at an STI clinic that Tobbs might be cheating on him. And then he—and his plants—are unceremoniously evicted from his London flat. So, he's forced to move in with his best friend Jacob, a non-binary artiste who Danny's known since childhood. 

Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend, Violet's life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband, Simon, are not only inviting Violet into their company, they are also inviting her into their lives.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

Anthony has decided to come out to his school in a big way and faces backlash, not just from his fellow students, but the principal as well. Cameron’s mom is still drinking and his dad remains absent. Can he turn to his boyfriend for support? Mindy has the hots for a guy who is most certainly taken, a predicament that intensifies when they're paired for a project. Silvia’s secrets are catching up with her, Keisha struggles to set aside her feelings for a girl she can’t have, and Omar’s dreams are about to crash and burn.

When Obiefuna's father witnesses an intimate moment between his teenage son and the family's apprentice, newly arrived from the nearby village, he banishes Obiefuna to a Christian boarding school marked by strict hierarchy and routine, devastating violence. Utterly alienated from the people he loves, Obiefuna begins a journey of self-discovery and blossoming desire, while his mother Uzoamaka grapples to hold onto her favourite son, her truest friend.

When Paul enters university in early 1970s Pittsburgh, it’s with the hope of moving past the recent death of his father. Sensitive, insecure, and incomprehensible to his grieving family, Paul feels isolated and alone. When he meets the worldly Julian in his freshman ethics class, Paul is immediately drawn to his classmate’s effortless charm. Paul sees Julian as his sole intellectual equal — an ally against the conventional world he finds so suffocating.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Raised in a brothel at the edge of a dying empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs where the ‘wolves’ – prostitutes and slaves from every corner of the empire – conduct their business.

Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility.

Mae and Ari are not your average power couple. Their love story started when they met at Leeds University. Back when Mae, whilst never short of a date and confident about who she is at her core, needed Ari's bright light to help her grow into herself. Ari, having run from New York following an undisclosed scandal and battling his own demons, held onto Mae as his grounding anchor. Though they quickly become inseparable, their inimitable bond must survive guilt, secrets, growing up and, ultimately, love in all its complex and fluid forms.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.