Showing results for "Yoko" in Literature & Fiction

Patrik is a literary researcher living in Berlin, a city just coming back to life after lockdown. Though his beloved opera houses are open again, Patrik cannot leave the house and hardly manages to get out of bed. He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can't get past the first question on the registration form: 'What is your nationality?' As Patrik attempts to find a connection in a world that constantly overwhelms him, he meets a mysterious stranger. 

Die faszinierende Geschichte einer Mörderin – hautnah und schonunglos erzählt Aichner von einer Frau, die selber nicht ahnt, wozu sie fähig ist. Yoko ist wie du und ich. Bis das Glück sie verlässt. Yoko ist Ende zwanzig, als sie die Metzgerei, die sie von ihrem Vater geerbt hat, in eine kleine Manufaktur umwandelt. Mit Hingabe verpackt sie fortan das Glück in Kekse, anstatt Schweinehälften zu zerlegen. Sie ist verliebt, ihr Leben ist erfüllt von Leichtigkeit, doch von einem Moment zum anderen zerbricht alles.

Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe prompted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson – born frail and prone to sickness – might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive.

*** 2019 NATIONAL BOOK AWARD FINALIST *** *** LONGLISTED FOR THE 2020 INTERNATIONAL BOOKER PRIZE AND THE 2020 TRANSLATED BOOK AWARD *** *** NEW YORK TIMES 100 NOTABLE BOOKS OF THE YEAR *** A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The...

Welcome to the not-too-distant future. Japan, having vanished into the sea, is now remembered as 'the land of sushi'. Hiruko, a former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian). Hiruko soon makes new friends to join her in her travels searching for anyone who can still speak her mother tongue.

A bear, born and raised in captivity, is devastated by the loss of his keeper; another finds herself performing in the circus; a third sits down one day and pens a memoir which becomes an international sensation, and causes her to flee her home. Through the stories of these three bears, Yoko Tawada reflects on our own humanity, the ways in which we belong to one another and the ways in which we are formed.