Showing results for "Love" in Linguistics

Gerald Crich, son of a wealthy colliery owner, captures the heart of Gudrun, while Ursula becomes enamored with Rupert Birkin, a school inspector - their complex relationship likely modelled on that between Lawrence, his wife Frieda, and John Middleton Murry and Katherine Mansfield. Things are far from harmonious, and the discord and conflict leads to many heated and elaborate philosophical discussions about modern society and the nature of love, while tragedy looms large.

With our earliest utterances, we announce ourselves—and are recognized—as persons ready for social life. With our final ones, we mark where others must release us to death's embrace. In Bye Bye I Love You, linguist and author Michael Erard explores these phenomena, commonly called "first words" and "last words," uncovering their cultural, historical, and biological entanglements and honoring their deep private significance. 

A celebration of the language and culture of Italy, La Bella Lingua is the story of how a language shaped a nation, told against the backdrop of one woman's personal quest to speak fluent Italian. For anyone who has been to Italy, the fantasy of living the Italian life is powerfully seductive. But to truly become Italian, one must learn the language. This is how Dianne Hales began her journey. In La Bella Lingua, she brings the story of her decades-long experience with "the world's most loved and lovable language" together with explorations of Italy's history.

This book is the basis for Whit Stillman's feature film Love and Friendship starring Kate Beckinsale and Chloe Sevigny.

Stanley Featherstonehough Ukridge is positively convinced that his complete ignorance of chicken farming gives him a particular advantage in the subject. A bombastic blowhard, he persuades his wife and his mild-mannered chum to start a chicken farm with him. What could go wrong?

A story of small-town intrigue that begins with a large sum of money being entrusted and then mysteriously disappearing. The novel was extremely popular and one of Bennett's greatest successes.

Years before his marriage to Olga Knipper and his self-imposed medical exile to Yalta, years before he even began writing the seminal works of dramatic literature for which he is renowned, Anton Pavlovich Chekhov, to support his financially and physically struggling family, wrote stories...many, many stories. Starting in his early 20s, living in Moscow, he made a name for himself by capturing the peculiarities of Russian life through satire, humor, pathos, and passion. Myriad influences inspired his eventual words for the stage.

In The Veil of Power, Iain Davie pulls back the curtain on a world where words shape reality and language is the ultimate weapon. This is not a tale of swords or armies but of intellectual warfare, where rulers weave words into a complex tapestry that blinds, misleads, and ultimately subjugates those who dwell within its confines. Through allegory and historical echoes, Davie offers a profound critique of how societies are controlled—not through overt force, but through subtle manipulation, where traditions, education, and culture serve the interests of an unseen few.

Love and Freindship [sic] is a juvenile story by Jane Austen, dated 1790, when Austen was 14 years old. Love and Freindship (the misspelling is one of many in the story) is clearly a parody of romantic novels Austen read as a child. This is clear even from the subtitle, "Deceived in Freindship and Betrayed in Love," which neatly undercuts the title. Written in epistolary form, it resembles a fairy tale as much as anything else, featuring wild coincidences and turns of fortune, but Austen is determined to lampoon the conventions of romantic stories.

LISTINGS: The Sphinx Without a Secret by Oscar Wilde. Mr & Mrs Dove by Katherine Mansfield. Angela by W.S. Gilbert. Perilous Play by Louisa May Alcott. The Singing Lesson by Katherine Mansfield. The Melancholy Hussar of the German Legion by Thomas Hardy. Genefer by Sabine Baring-Gould. The...