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Learn about the man who wrote The Lord of the Rings in this Middle-earth treasury. Full of answers to common questions about Middle-earth and the fandom, this book about Tolkien celebrates Why We Love Middle-earth.

J.R.R. Tolkien's novels of Middle-earth—The Hobbit, The Lord of the Rings trilogy, and The Silmarillian—have become some of the most famous, and most beloved, literary works of the twentieth century. Even if you've never read the novels and have only seen the films, you know that the world of Middle-earth is a complicated one. What you'll find in The Oigins of Tolkien's Middle-earth For Dummies is a basic guide to some of the possible linguistic and mythological origins of Middle-earth, plus a rudimentary analysis of its many themes and lessons for our world.

What is it about Middle-Earth and its inhabitants that has captured the imagination of millions of people around the world? And why does Tolkien's creation continue to fascinate and inspire us eighty-five years on from its first appearance? Beginning with Tolkien's earliest influences and drawing on key moments from his life, Twenty-First-Century Tolkien is an engaging and radical reinterpretation of the beloved author's work. Not only does it trace the genesis of the original books, it also explores the later adaptations and reworkings that cemented his reputation as a cultural phenomenon.

As a novelist, Matija makes things up for a living. Not yet thirty, he’s written two well-received books. It’s his third that is as big a failure as his private life. Unable to confine his fabrications to fiction, he’s been abandoned by his girlfriend over his lies. But all Matija has is invention. Especially when it comes to his childhood and the death of his father. Whatever happened to Matija as a young boy, he can’t remember. He feels frightened, angry, and responsible....

Nathanaël, je t'enseignerai la ferveur. Une existence pathétique, Nathanaël, plutôt que la tranquillité. Je ne souhaite pas d'autre repos que celui du sommeil de la mort. J'ai peur que tout désir, toute énergie que je n'aurais pas satisfaits durant ma vie, pour leur survie ne me tourmentent. J'espère, après avoir exprimé sur cette terre tout ce qui attendait en moi, satisfait, mourir complètement désespéré. Que mon livre t'enseigne à t'intéresser plus à toi qu'à lui-même, puis à tout le reste plus qu'à toi.

In the second Domesticated installment, East Anglian punk poet James Domestic is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

Domesticated is a collection of James Domestics street-poetry and punk-prose. Punk, politics, habit, the nature of work, the environment, nostalgia, aging, and some quintessentially British whimsy, all crammed in together like a last minute bag hurriedly packed for tour.

Winifred Holtby was born on 23rd June 1898 to a prosperous farming family in the village of Rudston in Yorkshire. Her early novels met with only moderate success but as a journalist she was both prolific and increasingly well-known. Her articles graced more than 20 newspapers and magazines, including the Manchester Guardian newspaper.