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Virgil and Bob introduce Jack Limekiller through the lens of Lucius Shepard’s remarkable introduction—part literary appreciation, part personal reflection. This conversation explores Limekiller as character, avatar, and aspiration, and reflects on Avram Davidson’s relationship to place, voice, and imagination.

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Originally published in Asimov’s Science Fiction (June 1986), “The Bloody Man” introduces Jack Limekiller—a restless, observant outsider navigating a place where history, folklore, and uneasy truths overlap. In this episode, we set the stage for Avram Davidson’s singular voice, its rhythms, humor, and moral complexity, and the world Limekiller inhabits.

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#TheBloodyMan
#WeirdFiction
#LiteraryFantasy
#Asimovs
#ClassicSpeculativeFiction

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Chapters 17–20 bring everything to a rolling boil, as power changes hands, jobs vanish, pressure mounts, and the town’s many moving parts drift toward the same crowded moment. Avram Davidson balances tragedy, farce, and dark humor with astonishing ease—moving from private grief to public spectacle without ever tipping his hand. Old loyalties surface, institutions close ranks, and a few quietly overlooked people turn out to matter more than anyone expected. When celebration, denial, and mechanical inevitability collide, Yokums proves it can turn even a parade into a moral stress test. The result is funny, unsettling, and deeply human, with Davidson letting cause and effect do the talking.

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#ParadeDayChaos
#SystemsFailing
#PublicSpectacle
#CauseAndEffect
#AmericanAbsurdism