Scot and Jeff discuss the second part of XTC’s career (1984-2000) with Andrew Gretes.

Introducing the Band:

Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com.

Andrew’s Music Pick: XTC, Pt. 2

Awaken you dreamers! A month after we took you through the first part of XTC’s career – an Argonaut-like journey across the world of postpunk and pop during the end of the Seventies and the start of the Eighties – we return to pick up the story where we left off in 1984: with a psychologically landlocked band (songwriters Andy Partridge and Colin Moulding as well as guitarist Dave Gregory), now forever off the road and consigned to a studio, forced to make the most of their remaining careers without fears of an audience to either drag them down or lift them up.

And aside from the Beatles, it is little exaggeration to say that no studio-bound act ever made quite as much out of such a fate as XTC – though they didn’t make much money, naturally. Instead they made great art, with a series of increasingly ambitious pop albums (including 1986’s Skylarking, which you might even have heard of) that reflected the expanding musical palates and melodic ambitions of Partridge and Moulding.

The first episode of this two-part series proudly featured some of the weirdest, most clashingly irregular sounds of the Seventies. This second features some of the most awe-striking beauty you’ve probably never heard. From their mainstream career (which rarely if ever sold) to their moonlight lark as the Dukes of Stratosphear (which sold gangbusters until people realized they were buying XTC music) Partridge, Moulding and Gregory never quit stuffing every single song they recorded with meaning and melody, and the results are an overwhelming trove of musical riches to discover – one you might only be vaguely aware even exists

Political Beats has been building up to its XTC episodes ever since the day the podcast was founded. The second part of their story is every bit as impressive – and different – as the first. Settle in and listen to us sing a happy-sad ballad about the greatest band in popular music to never quite make it. Oh my, oh my, don’t it make you wanna cry?

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Scot and Jeff discuss the first part of XTC’s career (1977-1983) with Andrew Gretes.

Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com.

Andrew’s Music Pick: XTC
There may be no language in our lungs to tell the world just how we feel about this band, but here we give you a three-hour explanation -- with many clips to illustrate where words fail -- why XTC is arguably the great lost group of the rock era. In the early Seventies, in a rural English nowheresville named Swindon, songwriters Andy Partridge and Colin Moulding got together with local drum-thwacker Terry Chambers to form a local trio with decidedly quirky, non-chart sensibilities. Later they were joined by keyboardist Barry Andrews and began to slowly build a national profile in the (by then) post-punk scene. And only slightly later than that, they decided they were interested in developing those chart sensibilities after all -- but without dropping even one bit of their quirk.

But the story of this band is best told by their music -- and it’s practically criminal that it isn’t universally celebrated this world over. A decades-long career filled with nothing but one sparklingly intelligent post-punk and pop gem after another, XTC was always out of step with their times, always resolutely unassimilable to the true mainstream, always just a bit too self-consciously thoughtful.

And eventually they made their grudging peace with it, resigned to always be that “great” group that might have scored a hit or two, might have bubbled around the Top 20 every few years or so during the 1980s, but whose impact was heard in the countless subsequent groups they influenced. The story of XTC is a musical tale that will inspire anyone who cares about true songcraft, one filled with immense optimism and joy as well as some of the bitterest sociological observations to be put into British song.

Political Beats has been building up to its XTC episodes (this is the first of two) ever since the day the podcast was founded. The second part of their story is every bit as impressive -- and different -- as the first. All hail the amazing crash-boom-band.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Scot and Jeff discuss The Apples in Stereo with Jack Butler.

Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Jack Butler. Jack is deputy editor for Free Expression, a new newsletter about politics and culture from the Wall Street Journal opinion page. Previously he was submissions editor for National Review Online. You can follow him on Twitter/x @jackbutler4815. And unless you're a 2:30 marathoner, you probably can't follow him in real life — unless he lets you.

Jack’s Music Pick: The Apples in Stereo
Get ready for sunshine melodies, fuzzed-out guitars, and pure pop sweetness, because we’re diving into the colorful world of The Apples in Stereo. On this episode, we walk through the band’s discography album by album, tracing how Robert Schneider and company blended psychedelia, power pop, and a DIY spirit into a signature sound. You might not be familiar with the band (yet), but you know the influences -- The Beatles, ELO, XTC, Pavement, Guided by Voices, The Beach Boys.

We travel from the lo-fi charm of Fun Trick Noisemaker to the "space disco" feel of Travellers in Space and Time. Along the way, Scot takes the proper time to pay tribute to an all-time favorite album, New Magnetic Wonder, and we discuss the unorthodox ways the band found its way into children’s programming. Plus Hilarie Sidney gets her due as an excellent and underrated singer, songwriter, and drummer.

Schneider’s interest in science, space, and sound influenced the band’s later work specifically, with conceptual elements and unconventional recording approaches shaping their music. New Magnetic Wonder even touts Schneider's invention of a new musical scale: the "Non-Pythagorean scale" (he’s now a mathematics professor at Michigan Tech University, so it all makes sense in the end).

Throughout the years, the band kept pushing forward without losing a sense of wonder and experimentation that defined their earliest work and refined their ability to create hooks and melodies that lodge inside your brain for weeks at a time. And you can’t tell the story of The Apples in Stereo without diving into the world of the Elephant 6 Recording Company, the loose collective of like-minded musicians that helped spark an indie-pop movement in the ’90s. Jack takes the lead in describing this element of the show.

This episode is a celebration of melody, creativity, and the joy of making something delightfully strange. It’ll fill you with energy. Can you feel it?

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.