An abandoned funeral home. A Halloween party. A séance that goes catastrophically wrong. And one of 80s horror's most magnetic and underappreciated demon icons. Karen and Tea are crashing Angela's party at Hull House for a deep dive into Kevin Tenney's 1988 cult classic Night of the Demons - the film that tripled its budget in a limited regional release, never got the nationwide theatrical run it deserved, and found its massive audience through VHS and cable instead. They cover Amelia Kinkade's unforgettable performance as Angela, the iconic Bauhaus dance sequence she choreographed herself, Linnea Quigley and that lipstick scene, Steve Johnson's incredible practical effects, and why this gloriously fun Halloween horror film has been an October tradition for a generation of horror fans.

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The road ends here. The Carters just did not know it yet. Tea and Karen dive deep into Wes Craven's 1977 survival horror masterpiece - The Hills Have Eyes - the raw, uncompromising desert nightmare that pitted a suburban American family against a cannibal clan in the Nevada hills and asked which family was really more savage by the end. Michael Berryman's unforgettable debut as Pluto, the film's brutal and uncomfortable home invasion sequence, and what Craven was really saying about the thin line between civilization and savagery. And a film that still gets under your skin almost fifty years later.

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Five college friends. A remote cabin. Something terrible in the basement. You think you know exactly how this goes. You do not. Spilled Tea & Karen plus our friend Jake are entering Cabin in the Woods. 2012’s meta horror masterpiece that dismantled every horror trope it lovingly deployed, making Richard Jenkins and Bradley Whitford two of the scariest people in any horror film that year, and ended with the complete destruction of humanity as a narrative choice. They cover the structural brilliance of the two-track storytelling, what the film is really saying about horror audiences and our complicity in the genre, the extraordinary monster cube sequence, and why a horror film written in three days became one of the most taught and discussed genre films of the modern era.

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