Deeply personal and powerfully moving, a short and timely series of essays on the experience of lockdown, by one of the most clear-sighted and essential writers of our time. Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love - an essential book in extraordinary times.

When Tamsin Calidas first arrives on a remote island in the Scottish Hebrides, it feels like coming home. Disenchanted by London, she and her husband left the city and high-flying careers to move the 500 miles north, despite having absolutely no experience of crofting or of island life. It was idyllic, for a while. But as the months wear on, the children she'd longed for fail to materialise and her marriage breaks down, Tamsin finds herself in ever-increasing isolation.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

Ten-year-old Jas has a unique way of experiencing her universe: the feeling of udder ointment on her skin as protection against harsh winters; the texture of green warts, like capers, on migrating toads; the sound of 'blush words' that aren't in the Bible. But when a tragic accident ruptures the family, her curiosity warps into a vortex of increasingly disturbing fantasies - unlocking a darkness that threatens to derail them all. 

Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is. 

A man travels to his son's school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she's playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.

Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news.

A transcendent collection of essays about the human relationship to the natural world. In Vesper Flights Helen Macdonald brings together a collection of her best loved pieces, along with new essays on topics and stories ranging from nostalgia and science fiction to the true account of a refugee’s flight to the UK.

In this remarkable new collection of essays, writer and critic Olivia Laing brings together a career’s worth of writing about why art - paintings, books, music - really matters. From To the River to The Lonely City, all of Laing’s books have been about the role of art in real lives: how it can help make sense of difficult personal circumstance or show the truth about cruel or unjust political situations.

In the years just before and after the fall of the Berlin Wall, conservative politicians and intellectuals across Europe and America celebrated a great achievement, felt a common purpose and, very often, forged personal friendships. The euphoria quickly evaporated, the common purpose and centre ground gradually disappeared and eventually - as this book compellingly relates - the relationships soured too. Anne Applebaum traces a familiar history in an unfamiliar way, looking at the trajectories of individuals caught up in the public events of the last three decades.

At 17, Susanna Moore left her home in Hawaii, with no money, no belongings and no prospects. But in Philadelphia, an unexpected gift of four trunks of beautiful clothes allowed her to assume the first of many disguises. Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson and is given a screen test by Mike Nichols. 

Shelley Klein grew up in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art. Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and '70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there. Thirty years on, Shelley moves back home to care for her father, now in his 80s.

As governor of Galicia, SS Brigadesführer Otto Freiherr von Wächter presided over an authority on whose territory hundreds of thousands of Jews and Poles were killed. By the time the war ended in May 1945, he was indicted for 'mass murder'. He spent three years hiding in the Alps before making his way to Rome and being taken in by the Vatican where he remained for three months. While preparing to travel to Argentina on the 'ratline' he died unexpectedly, in July 1949, a few days after having lunch with an 'old comrade' whom he suspected of having been recruited by the Americans. 

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Through his pioneering scientific research, Tim Spector has been shocked to discover how little good evidence there is for many of our most deep-rooted ideas about food. In a series of short, myth-busting chapters, Spoon-Fed reveals why almost everything we’ve been told about food is wrong. Spector explores the scandalous lack of good science behind many medical and government food recommendations and how the food industry holds sway over these policies and our choices.