In 1975, Viv Albertine was obsessed with music, but it never occurred to her she could be in a band, as she couldn't play an instrument, and she'd never seen a girl play electric guitar. A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the male-dominated music scene and became part of a movement that changed music. A raw, thrilling story of life on the frontiers and a candid account of Viv's life post-punk - taking in a career in film, the pain of IVF, illness and divorce and the triumph of making music again - Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. is a remarkable memoir. 

Art Sex Music is the autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle and electronic pioneers Chris & Cosey, has consistently challenged the boundaries of music over the past four decades. It is the account of an artist who, as part of COUM Transmissions, represented Britain at the IXth Biennale de Paris, whose Prostitution show at the ICA in 1976 caused the Conservative MP Nicholas Fairbairn to declare her, COUM and Throbbing Gristle "Wreckers of Civilisation".

Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band’s troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records; their club, The Haçienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation and changing the course of popular music.

John Cooper Clarke is a phenomenon: Poet Laureate of Punk, rock star, fashion icon, TV and radio presenter, social and cultural commentator, reluctant national treasure. At 5 feet 11 inches (116lb, 32in chest, 27in waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, he is instantly recognisable. As a writer his voice is equally unmistakable and his inimitable dry Salford drawl shines through the prose.

By the time she was 14, Chrissie Hynde knew she had to get out of Akron, Ohio. Her perfect '50s American childhood upturned by a newly acquired taste for rock 'n' roll, motorbikes and the ‘get down boys' seen at gigs in and around Cleveland - Mitch Ryder, the Jeff Beck Group, the Velvet Underground and David Bowie among the many.

Before he was responsible for some of the most iconic drumming in popular music, Stephen Morris grew up in 1960s and '70s industrial Macclesfield, on a quiet road that led seemingly to nowhere. Far removed from the bright lights and manic energy of nearby Manchester, he felt stifled by suburbia and feared he might never escape. Then he joined Joy Division - while they were still known as Warsaw - a pioneer of the rousing post-punk sound that would revolutionise 20th-century rock.

Poised on the brink of success, the dizzying heights of the unknown lying ahead, Ian Curtis had taken his own life. Grieving yet determined, Stephen Morris emerged from the wreckage of Joy Division to the dawn of something new: a new band, a new tour, a new beginning. Under the name New Order, Morris and his bandmates set their sights on America, only to encounter new disasters. Yet, in true northern spirit, not even this sudden tragedy could dissuade them from following their haphazard path to greatness. 

Debbie Harry is a musician, an actor, an activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life - until now. 

When her ex calls to ask if she wants to be a mother, Reese finds herself intrigued. After being attacked in the street, Amy de-transitioned to become Ames, changed jobs and, thinking he was infertile, started an affair with his boss, Katrina. Now Katrina's pregnant. Could the three of them form an unconventional family - and raise the baby together? 

"Hey Hi Hello" is a greeting we have all become familiar with, as Annie Nightingale cues up another show on Radio One. Always in tune with the nation's taste, yet effortlessly one step ahead for more than five decades, in this book Annie digs deep into her crate of memories, experiences and encounters to deliver an account of a life lived on the frontiers of pop cultural innovation.

A woman known for her viral social media posts travels the world speaking to her adoring fans, her entire existence overwhelmed by the internet - or what she terms ‘the portal’. Are we in hell? the people of the portal ask themselves. Are we all just going to keep doing this until we die? Suddenly, two texts from her mother pierce the fray: "Something has gone wrong", and "How soon can you get here?" 

Chris Frantz met David Byrne at the Rhode Island School of Art & Design in the early 1970s. Together - and soon with Frantz's future wife, Tina Weymouth - they formed Talking Heads and took up residence in the grimy environs of Manhattan's Lower East Side, where their neighbours were Patti Smith, William Burroughs and a host of proto-punk artists who now have legendary status. 

Tour Manager and friend Johnny Green’s rip-roaring account from inside The Clash camp as they turned passion and guitars into songs that electrified a generation. An intimate and very funny listen.

Jon Savage's oral history of Joy Division is the last word on the band that ended with the suicide of Ian Curtis in Macclesfield on May 18, 1980. It weaves together interviews conducted by the author, but never used in the making of the film Joy Division, which told the story of the band in their own words, as well as those of their peers, collaborators, and contemporaries.  

The stylish, exuberant and remarkably sweet confession of one of the most famous groupies of the 1960s and '70s is back in this new edition that includes an afterword on the author's last 15 years of adventures. As soon as she graduated from high school, Pamela Des Barres headed for the Sunset Strip, where she knocked on rock stars' backstage doors and immersed herself in the drugs, danger, and ecstasy of the freewheeling 1960s.