The Sprite and the Gargoyle cover art

The Sprite and the Gargoyle

A Bartholomew Tale

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The Sprite and the Gargoyle

By: Rachel Gillig
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Summary
One hundred years after the events of the number one Sunday Times bestselling Stonewater Kingdom duology, Bartholomew must once again become a squire and journey across Traum in this standalone novella from the queen of gothic fantasy, Rachel Gillig, featuring gorgeous full-page black-and-white illustrations by the author.

You know this story, Bartholomew. We all, in our own way, have a story like this . . .

Sybil, Rory, and Bartholomew have been living peacefully in the Stonewater Kingdom for a century after the events of The Knave and the Moon. Bartholomew, the knowingest knower to ever know anything, has taken it upon himself to educate the latest young king in the ways of the world. But though King August is committed to maintaining the delicate balance between humans and sprites, she is also stubborn, academic, and devoted to reason. This simply cannot do.

So, when a new sprite with ungodly powers is discovered wandering across the kingdom, there is nothing for it but to go on a quest. And what does a King need on a quest? A squire, of course, Bartholomew.

I'll tell it to you as best I can and promise to be honest in my talebearing. If I'm not, it is for a good reason.©2027 Rachel Gillig (P)2027 Little, Brown Book Group Limited
Fantasy
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Critic reviews

With the headiness of dreams and the darkness of haunted abbeys, The Knight and the Moth is a dazzlingly transportive tale of love, salvation, and freedom that cements Gillig as one of the finest fantasy writers of our age. You will never want to surface from these enchanting, depthless waters (Ava Reid on THE KNIGHT AND THE MOTH)
I'm obsessed with Rachel Gillig. The Knight and the Moth is achingly romantic, richly imagined, and told with a gossamer delicacy that keeps the pages flying (Hannah Whitten on THE KNIGHT AND THE MOTH)
The Knight and the Moth delivers pure joy: gargoyles! gods! girls in armour! alongside a serious examination of faith, fealty, and the powers they serve. It's a fairy tale with bruised knuckles, perfectly balanced between the mythic and the desperately human. Simply stunning (Alix E. Harrow on THE KNIGHT AND THE MOTH)
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