The Morning After

the shocking suspense readers can’t stop talking about

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The Morning After

By: Emma Curtis

Narrated by: Sally Scott, Gabrielle Glaister

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If you're obsessed with The Coworker and Want to Know a Secret? by Freida McFadden, you'll be gripped by The Morning After. An utterly addictive psychological thriller with twists that will have you gasping out loud.

The nightmare starts the moment you wake up...

Last night is a blur.

Laura has memories of drinking and laughing at the office party – dancing with a handsome man.

This morning, there’s a blue shirt on her bedroom floor.

But she’s certain that the man she went home with was wearing pink.

Panic sets in. Laura realises that someone she trusts, one of her colleagues, has betrayed her. She’s desperate to find them before they hurt anyone else.

What she doesn’t realise is that they’re watching her every move... And the danger has only just begun.

'So original and clever that I was completely absorbed in the story. Gripping, tense and twisty with an unexpected ending. Phenomenal' CLAIRE DOUGLAS

'A clever 'who dunnit' with a twist that almost made me miss my flight' JANE CORRY

'A terrifying and disorienting thriller that will leave you questioning everyone and everything right to the very last page. It's so good that I had to put everything on hold just to finish it' NUALA ELLWOOD

'I absolutely raced to the end' T. A. COTTERELL

Previously published as When I Find You.

Emma CurtisSally ScottGabrielle GlaisterTransworld Digital

Domestic Thrillers

Mystery

Psychological

Suspense

Thriller & Suspense

Women Sleuths

Exciting

Domestic Thrillers Mystery Psychological Suspense Thriller & Suspense Women Sleuths Exciting

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This is a good chick-lit book, the only problem I had with it was that for 2/3 of the book the author is so concerned about repeatedly stating Laura’s face blindness, and can’t even recognise her mum from her sister in her own family home, that it seemed unrealistic. 20% of the narrative shouldn’t be about the problem if the character can embody it themselves. It felt like the author was so concerned about making face blindness believable as a construct that the construct became an entity in itself and got in the way of the character.

If you can dispel your disbelief then the book itself is very well written and all the other characters are believable.

We are reading this as part of a book club and one of the other readers is struggling to get past the first third because of the same issue. I’ve told her to keep trying because the backend of the book is easier to believe.