The Familiars

Iceland, 1686. The brutal, lava-scarred landscape can swallow a man without so much as a volcanic gasp. Jón Eiríksson has just married his second wife in a year. But Rósa's new home in the windswept village of Stykkishólmur is terrifyingly isolated - the villagers are suspicious of strangers and fearful of something which they will not name. What is Rósa's new husband's secret, and why does the spectre of his first wife Anna haunt them so?

Emmett Farmer is working in the fields when a letter arrives summoning him to begin an apprenticeship. He will work for a Bookbinder, a vocation that arouses fear, superstition and prejudice - but one neither he nor his parents can afford to refuse. He will learn to handcraft beautiful volumes, and within each he will capture something unique and extraordinary: a memory. If there’s something you want to forget, he can help. If there’s something you need to erase, he can assist. Your past will be stored safely in a book and you will never remember your secret, however terrible.

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s best seller The Thirteenth Tale.

When Esther Thorel, the wife of a Huguenot silk weaver, rescues Sara Kemp from a brothel she thinks she is doing God's will. Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping madam is too good to refuse. Inside the Thorels' tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. 

The Thirteenth Tale is a compelling and emotional mystery, in the timeless vein of Daphne du Maurier's Rebecca, about family secrets and the magic of books and storytelling.

December, 1940. As German bombs fall on Southampton, the city’s residents flee to the surrounding villages. In Upton village, amid the chaos, newly married Ellen Parr finds a girl sleeping, unclaimed at the back of an empty bus. Little Pamela, it seems, is entirely alone. Ellen has always believed she does not want children, but when she takes Pamela into her home the child cracks open the past Ellen thought she had escaped and the future she and her husband, Selwyn, had dreamed for themselves. As the war rages on, love grows where it was least expected, surprising them all.

Dorothea and Ruth. Ruth and Dorothea. Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea is asked to visit Ruth as part of her charitable works, she could not be more delighted. Her first encounter with a murderer will provide the perfect opportunity to explore Dorothea’s fascination with phrenology and test her theories that the shape of a person’s skull can cast a light on their darkest crimes.  

Charles Hayden has been fascinated by a strange Victorian fairy tale, In the Night Wood, since he was a child. When his wife, Erin - a descendant of the author - inherits her ancestor’s house, the couple decide to make it their home. Still mourning the recent death of their daughter, they leave America behind, seeking a new beginning in the English countryside. But Hollow House, filled with secrets and surrounded by an ancient oak forest, is a place where the past seems very much alive....

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Perdita Lee may appear your average British schoolgirl; Harriet Lee may seem just a working mother trying to penetrate the school social hierarchy; but there are signs that they might not be as normal as they think they are. For one thing, they share a gold-painted, seventh-floor flat with some surprisingly verbal vegetation. And then there’s the gingerbread they make. Londoners may find themselves able to take or leave it, but it’s very popular in Druhástrana, the far-away (and, according to Wikipedia, nonexistent) land of Harriet Lee’s early youth. 

They say I must be put to death for what happened to Madame, and they want me to confess. But how can I confess what I don't believe I've done? 1826, and all of London is in a frenzy. Crowds gather at the gates of the Old Bailey to watch as Frannie Langton, maid to Mr and Mrs Benham, goes on trial for their murder. The testimonies against her are damning - slave, whore, seductress. And they may be the truth. But they are not the whole truth. For the first time Frannie must tell her story. 

Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. When she has an intense connection to a beautiful silver chatelaine, she has to know more. It is while she’s examining the chatelaine that she’s transported back to the 17th century, where it has its origins. She discovers there is an injustice in its history. The spirit that inhabits her new home confronts her and charges her with saving her daughter’s life, threatening to take Flora’s if she fails. 

An electrifying debut thriller for fans of Anatomy of a Scandal, Apple Tree Yard and Gone Girl. Alison has it all. A doting husband, an adorable daughter, and a career on the rise - she's just been given her first murder case to defend. But all is never as it seems.... Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. 

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered or empty. The owner is mostly absent; the housekeeper and maids seem afraid. 

In the autumn of 1615, a scandal rocks the Jacobean court when a celebrated couple are imprisoned on suspicion of murder. She is young, captivating and from a notorious family. He is one of the richest and most powerful men in the kingdom. Some believe she is innocent; others think her wicked or insane. He claims no knowledge of the murder. The king suspects them both, though it is his secret at stake.