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Sinbad Forever cover art

Sinbad Forever

By: Kevin Candela
Narrated by: Bridger Conklin
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Summary

The name actually means "greatest of sages," but let's face it: Sinbad is synonymous with adventure. His voyages are legendary, but only a few are really well-known. Here, then, are three consecutive tales brought to light for the first time, a trilogy of epic scope that spans not just the seven seas but the universe - and even time itself! 

Ride along with the sea captain as he heroically faces off against deadly sorcerers, fearsome creatures, and dark deities, most of them fiercely determined to either enslave humanity or destroy it. In the opener, Sinbad's path crosses that of the legendary Argo, bringing him face-to-face with the tortured hero Jason of Thessaly as they meet on a forbidden island where the Greek gods are safeguarding magical items too dangerous even to be kept on Olympus. 

Up next, is Sinbad at the End of the Universe, wherein Sinbad's search for his missing father takes him to the Scylla and Charybdis - and from there across the galaxy - all the while pursued by a treacherous and frequently invisible alchemist and conjurer dead set on revenge. 

And in the staggering conclusion to the Sinbad Forever Trilogy, Sinbad at the Dawn of Time, Sinbad and his unique band of comrades must find their way back to modern day (well, their modern day, anyway) from the Triassic Era if they are to help the outmatched heroes of Greece save Olympus from falling to the mighty Egyptian deity Sin and his winged legions of corrupted humanity. 

Adventure doesn't come any bigger than this. Fun for the whole family, especially those who grew up with the movies of Ray Harryhausen such as Jason and the Argonauts and The Golden Voyage of Sinbad. In fact, those two movies are where the trilogy begins. Where does it go from there? Everywhere.

©2016, 2019 Kevin Candela (P)2020 Kevin Candela

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Dull and Downbeat Sinbad trilogy

I did not enjoy this trilogy of Sinbad audiobooks. It was rather disappointing. It featured as the titles suggest characters and beings of a non-Muslim origin in settings that Sinbad is not accustomed to. It would have been more enjoyable if it featured beings or monsters from Muslim mythology or even of Harryhausen fame. Other Muslim listeners would feel the same as well I suspect. They took Sinbad and his fellow sailor Rashid and plucked him in three different and unappealing environments. It was not reminiscent of Arabian Nights fame. Rather Arabian Nights was remolded to be reshaped and regurgitated into stories of Christendom settings. Sinbad and Rashid were not in their elements and the stories were lacklustre, boring and unappealing.

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