Alexander Fitzpatrick is one of the most wanted men in the Western world. A Howard Marks character, but far more dangerous, his wealth, accrued through drug-trafficking, runs into millions. For the past 10 years there has been no sighting of him. Has he gone to ground using an alias, or is he dead?

When an ex-police officer from the murder squad is found shot in a dank squat, Anna Travis is pulled onto the case. As the body count rises and the investigation becomes ever more complex, suspicion falls on Fitzpatrick.

A motorway service station on the M1: dimly lit, run down, poorly supervised, flickering lights, dark corners; a favourite stopover for long-distance lorry drivers on their way up north from London. Behind it, a body is found in a ditch, that of a girl barely out of her teens. She appears to have no family, no friends, no connections anywhere. Other girls have gone missing in the vicinity and no one has stepped forward to claim them.

Dedicated, intuitive and utterly obsessive, DCI James Langton is ruthless in his pursuit of a gang of illegal immigrants, killers of a young prostitute. When he is horrifically, almost fatally injured by one of them, it falls upon DI Anna Travis to put her own career on hold as she nurses him through his intense frustration and desperation to bring his would-be murderer to justice.

Under the watchful eye of Detective Chief Superintendent James Langton, Anna is given her first case. But is it a full-blown murder investigation or purely a missing person's case? An ominous pool of blood and no victim lead Anna on a desperate hunt for a man who has disappeared without trace.As Anna becomes obsessed with seemingly irrelevant details, Langton fears that she is losing control of the case. They still have no body and Anna is under increasing pressure to make an arrest....

Duty to the job or personal ambition? Anna Travis must decide where her loyalties lie....

Six months ago, London nightclub owner Josh Reynolds was found dead from a single gunshot wound to the head, the gun held in his right hand. His death was quickly determined to be a suicide, the investigation was closed... a case done and dusted. Until now.

A young girl is found dumped on the banks of the Thames. Horrifically mutilated and drained of blood, her death is an ominous mirror image of an unsolved 1940s case in Los Angeles known as 'The Black Dahlia'. Detective Inspector Anna Travis must race against time to catch this copycat killer, dubbed 'The Red Dahlia' from the flower his victim wore in her hair. But there are no suspects and a media frenzy is spiralling out of control.

Young Anna Travis has been assigned to her first murder case - a series of killings that has shocked even the most hardened of detectives. They started eight years ago – now the body count is up to six. The method of killing is identical, the backgrounds of the girls identical - all drug-users and prostitutes. Then a seventh body is found. The modus operandi is the same - but the victim is a young student with the 'face of an angel'. The profile of the murderer has changed dramatically.

When Amy arranges a sleepover with a school friend one weekend, neither parent sees the need to be in touch with her. Saturday, Sunday, Monday morning pass before Lena - seething from her first, unexpectedly confrontational, meeting with Marcus's divorce lawyer - phones Amy. Straight to Amy's voicemail. She must be in lessons. Lena sends a text. She waits. No reply, no contact whatsoever.

When a woman is snatched from a wood, Inspector Superintendent Pat North seizes control of her first major enquiry - one that appears to be over before it begins, when a local sex offender quickly confesses. With no body and inconsistent statements, North and her team are not convinced. They investigate a strange family of musical geniuses - each with their own motive. But if the man who confessed isn't the perpetrator - who is? And how far will they go to evade capture?

A derelict house is being demolished when workmen discover the remains of a young girl. Detective Superintendent Michael Walker is far from happy at being assigned the 17-year-old murder case. When more skeletons are discovered, however, Walker suddenly finds himself in charge of one of the biggest investigations in years. But when a secret has been buried for 17 years, the path to justice is more tortuous than ever. Can Walker and his team dig up the truth behind one family and their shadowy past? Or is the truth buried too deep?

Eight years ago, James McCready was convicted of killing his partner, Gary Meadows. But McCready has always claimed that the stabbing was a tragic accident and, when fresh evidence comes to light, he wins his appeal for a retrial. Detective Inspector Pat North is assigned to the reinvestigation. But when North discovers that her partner, Detective Superintendent Mike Walker, led the original police inquiry, their fledgling relationship is put to the test - particularly when she starts to suspect that he is covering something up. 

A life-and-death hostage situation at Barfield High Security prison brings Governor Helen Hewitt back to her old stomping ground. But things have changed at Barfield. A new, highly dangerous prisoner poses a threat to the peace, and when discord boils over, the prisoners join forces in an audacious escape attempt. As violence erupts among the officers and the inmates, Hewitt must once again restore order. Before it's too late.

Can Jane Tennison uncover a serial killer? The fourth in the Sunday Times best-selling Jane Tennison thrillers, Murder Mile is set in 1979 at the height of the 'Winter of Discontent' when economic chaos has led to widespread strikes across Britain. Jane Tennison, now a Detective Sergeant, has been posted to Peckham CID, one of London's toughest areas. As the rubbish on the streets begins to pile up, so does the murder count: two bodies in as many days. There are no suspects, and the manner of death is different in each case. 

It is every mother's nightmare. Her child is missing, found murdered. Her lover is the prime suspect. It is every police officer's dread. A child murder. A circumstantial case. It is every solicitor's dream. Twelve men and women will decide the verdict. But only you can decide if justice is done for the victim.

Identical and brutal assaults on three women. One woman survives to give a detailed description of her attacker. The police arrest a suspect, Damon Morton, confident he is their man. But three of his employees admit to the crimes, and Morton's wife and girlfriend provide him with an alibi. They all declare Damon Morton innocent. The police know he did it. But if people lie under oath in a court of law ­- who can the jury believe?