Silent Scream

A motorway service station on the M1: dimly lit, run down, poorly supervised, flickering lights, dark corners; a favourite stopover for long-distance lorry drivers on their way up north from London. Behind it, a body is found in a ditch, that of a girl barely out of her teens. She appears to have no family, no friends, no connections anywhere. Other girls have gone missing in the vicinity and no one has stepped forward to claim them.

Alexander Fitzpatrick is one of the most wanted men in the Western world. A Howard Marks character, but far more dangerous, his wealth, accrued through drug-trafficking, runs into millions. For the past 10 years there has been no sighting of him. Has he gone to ground using an alias, or is he dead?

When an ex-police officer from the murder squad is found shot in a dank squat, Anna Travis is pulled onto the case. As the body count rises and the investigation becomes ever more complex, suspicion falls on Fitzpatrick.

A young girl is found dumped on the banks of the Thames. Horrifically mutilated and drained of blood, her death is an ominous mirror image of an unsolved 1940s case in Los Angeles known as 'The Black Dahlia'. Detective Inspector Anna Travis must race against time to catch this copycat killer, dubbed 'The Red Dahlia' from the flower his victim wore in her hair. But there are no suspects and a media frenzy is spiralling out of control.

Dedicated, intuitive and utterly obsessive, DCI James Langton is ruthless in his pursuit of a gang of illegal immigrants, killers of a young prostitute. When he is horrifically, almost fatally injured by one of them, it falls upon DI Anna Travis to put her own career on hold as she nurses him through his intense frustration and desperation to bring his would-be murderer to justice.

It is late at night on a notorious council estate in east London. A van - garishly painted with a grinning clown's face on the side - is being driven erratically. When the police pull over the driver to question him, they discover, inside the van, the body of a young woman. A murder suspect . . . an arrest . . . a confession . . . A case done and dusted? But their suspect claims his victim is not his first, but his third.

Young Anna Travis has been assigned to her first murder case - a series of killings that has shocked even the most hardened of detectives. They started eight years ago – now the body count is up to six. The method of killing is identical, the backgrounds of the girls identical - all drug-users and prostitutes. Then a seventh body is found. The modus operandi is the same - but the victim is a young student with the 'face of an angel'. The profile of the murderer has changed dramatically.

When Amy arranges a sleepover with a school friend one weekend, neither parent sees the need to be in touch with her. Saturday, Sunday, Monday morning pass before Lena - seething from her first, unexpectedly confrontational, meeting with Marcus's divorce lawyer - phones Amy. Straight to Amy's voicemail. She must be in lessons. Lena sends a text. She waits. No reply, no contact whatsoever.

In 1973 Jane Tennison, aged 22, leaves the Metropolitan Police Training Academy to be placed on probationary exercise in Hackney, where criminality thrives. We witness her struggle to cope in a male-dominated, chauvinistic environment, learning fast to deal with shocking situations with no help or sympathy from her superiors. Then comes her involvement in her first murder case. No one witnessed the savage beating of a tragic young girl who, the postmortem reveals, was pregnant when she died.

Facing life alone, they turned to crime together. Dolly Rawlins, Linda Perelli and Shirley Miller are left devastated when their husbands are killed in a security van heist that goes disastrously wrong. When Dolly discovers her husband's bank deposit box containing a gun, money and detailed plans for the hijack, she has three options. She could hand over the ledgers to the Detective. She could hand them over to the thugs who want to take over Harry's turf. Or, she and the other widows could finish the job their husbands started....

Despite round-the-clock protection, all male members of the Luciano crime family are killed the night before a family wedding. The don's wife, Graziella, holds together what's left of the family. The widows and a daughter seek revenge and to restore the family's power.

Desire leaves a man destroyed.... A young girl's curiosity reveals secrets better left hidden.... An accidental encounter on a train ends violently.... Ambition leads to a curious exchange.... An uncanny likeness changes two lives forever.... Here is a novel in 16 chilling parts, linked by a glittering charm bracelet that brings misfortune to everyone who handles it. In Like a Charm, the cream of British and American crime writers combine for a must-have collection.

Diana Davis has been head of the family business since the death of her husband, an infamous bank robber. She's a woman in a man's world, but no one messes with her. Her only son, Angus, is a natural born villain, but he needs to earn Diana's trust before she'll allow him into the business. Once he's proved he has the brains to run their clubs in Marbella, he is given what he's always wanted. It's the beginning of a reign of terror that knows no bounds. 

The Mitchells and the O'Haras have been enemies for years. One a gangland family, the other travellers, they resort to violence to solve problems between them. So when Frankie Mitchell fell for Jed O'Hara, it was only going to be a matter of time before all hell broke loose. Clever, ruthlessly attractive to women and slippery as a snake, Jed O'Hara has Frankie exactly where he wants her - pregnant and estranged from her family. Even Eddie Mitchell, Frankie's terrifying father, is no threat - he's in prison awaiting trial for murder.

When a body is found in a locked house, Detective Sergeant Jessica Daniel is left to not only find the killer but discover how they got in and out. With little in the way of leads and a journalist who seems to know more about the case than she does, Jessica is already feeling the pressure - and that's before a second body shows up in identical circumstances to the first. How can a murderer get to victims in seemingly impossible situations and what, if anything, links the bodies?

In North Devon, where the rivers Taw and Torridge converge and run into the sea, Detective Matthew Venn stands outside the church as his father's funeral takes place. The day Matthew turned his back on the strict evangelical community in which he grew up, he lost his family, too. Now he's back, not just to mourn his father at a distance but to take charge of his first major case in the Two Rivers region, a complex place not quite as idyllic as tourists suppose.