Thundering across the screen, Judah Ben-Hur’s iconic chariot race against his former friend turned bitter foe remains an indelible part of cinematic history, and established Charlton Heston as an international superstar. In many ways, the race was a metaphor for the actor’s dynamic life, symbolizing his struggle to establish himself in his profession.

Brian Steel Wills captures for the first time a comprehensive view of the actor’s climb to fame, his search for the perfect performance, and the meaningful roles he played in support of the causes he embraced in Running the Race: The “Public Face” of Charlton Heston.

Heston was born and raised in the Michigan woodlands and suburbs of Chicago, where he found his love of acting in the books he read and the movies he saw. “Chuck” Heston’s introduction to the craft that would become his life’s work began at New Trier High School and carried over into Northwestern University.

The Second World War interrupted his journey when he served his country, after which he and his wife Lydia headed to Asheville, North Carolina, where they both acted and directed in theater. The lights of New York City and Broadway beckoned, and live television offered an important platform, but Hollywood and feature films were his destiny. His roles were as varied as they were powerful, and included stints as Moses, Ben-Hur, El Cid, Michelangelo, Mike Vargas, and Charles “Chinese” Gordon under legendary directors like Cecil B. DeMille, William Wyler, Franklin Schaffner, and Orson Welles.

He shifted to science fiction in Planet of the Apes and Soylent Green, a wide range of action and disaster films, as well as more nuanced roles such as Will Penny.

Over his decades of performance, Heston defined and redefined his “public face” in a constant quest for an audience for his work. He undertook wide-ranging public service roles for the government, the arts, and other causes.