Property: A Collection cover art

Property: A Collection

A Collection

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Property: A Collection

By: Lionel Shriver
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About this listen

The first ever story collection from the inimitable Lionel Shriver

‘Genius’ Stylist

‘Phenomenal’ Observer

‘Brilliant’ The Times

In her first ever story collection, Lionel Shriver illuminates one of the modern age’s most enduring obsessions: property.

A woman creates a deeply personal wedding present for her best friend; a thirty-something son refuses to leave home; a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security.

This landmark publication explores the idea of "property" in both senses of the word: real estate, and stuff. Immensely readable, it showcases the biting insight that has made Lionel Shriver one of the most acclaimed authors of our time.

 Anthologies & Short Stories Family Life Fiction Genre Fiction Literary Fiction Literature & Fiction Short Stories Women's Fiction

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Critic reviews

‘Shriver’s intellect and talent, her political convictions and her impressive confidence are all on display … assertive, frequently funny and altogether satisfying … her confident grasp of the material and her natural gifts as a storyteller will keep you in her spell and leave you, at the end, slightly altered … persuasive and richly entertaining’ NEW YORK TIMES

‘Phenomenal… Shriver has the gift for making one instantly curious, entertained, involved and ready to move in – no matter what the property’ OBSERVER

‘Genius’ STYLIST

‘At her best, she takers the familiar and mundane and turns it into something surprising and strange’ SUNDAY EXPRESS S MAGAZINE

‘All Shriver’s stories are satisfying. I exhaled a little triumphant “Ha!” at the end of each one … Shriver is brilliant’ THE TIMES

‘Shriver remains a formidably sharp writer, one of the best we have’ EVENING STANDARD

‘Shriver is at her best here, an acerbic comedian, Dickensian in style, whose vibrant characters are best seen in dramatic action and dialogue’ FINANCIAL TIMES

‘Whip-smart … Crisp, conversational and convincingly true to life, Shriver’s stories are a treat’ DAILY MAIL

‘A pugnacious, brilliantly articulate, hilarious collection’ i NEWS

‘Shriver is the master of the neat twist’ DAILY EXPRESS
All stars
Most relevant
Shriver's writing is wonderful, I love it. I still love this collection of short stories and really glad I bought it despite the dreadful accents Shriver attempts- as a native English person I cannot work out where most of them are supposed to be from, they really are Dick Van Dyke bad. Thankfully mostly she reads in her own accent and reads well.

Shriver's writing is wonderful, I love it.

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I normally love her novels, esp Kevin and later, but this is a strange affair. Most of the endings are visible from the beginning, as if you climbed a tree with binoculars not a handsaw. But the main fault isn't the stories themselves but Shriver's lack of aptitude as a voice artist. Why did she do it? A bigger royalty share? It is hopeless. Normally a monotone, she leavens the drudgery with accent and dialect, but she can't do accent and dialogue. One character was supposed to be somehow gaelic I felt, because he said wee for small. But I have no clue what flavour. Probably not Breton. Another had a crazy hybrid of West Country, Australian, working class London and speech impediment. It was way too poor and annoying to be comically hapless. At times it was actively intrusive as you really don't know what the characters say. Her attempt at a child's voice was like someone who'd only seen children from a distance. Her talent as a voice artist is only surpassed by her efforts as a cultural diplomat. Her editors and producer are to blame. Would they have let her typeset the print? Code the Kindle? Drive the delivery van. Just say no.

Say what?

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Absolutely adore this author and having listened to her speak at various festivals and having read almost everything she’s written, I am almost relieved that there is something she is not brilliant at! Actually stopped listening to this and will read instead. Would not however put me off listening to anything from her in future - she’s brilliant - just as long as she doesn’t narrate it if British accents are required!

Love Lionel but not as a narrator

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I LOVE Lionel. I've read/listened to so much of her work over and over again and having already read this collection I was excited to order it. The stories are great, but THE ACCENTS! It really detracted from the story as it was totally impossible to listen to any 'British' dialogue without total incredulity. What a shame- I can't believe no-one picked her up on it!!! Lots of the stories don't have British characters though- those ones are awesome.

The accents, oh the accents!!

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I have admired previous work by Lionel Shriver which enticed me to buy this audio book. I have finished the first story which was intruguing and which ordinarily would have led me to continue with the collection. Unfortunately, Shriver's voice narration has deterred me and I'm at a loss to understand why she was chosen to do the performance. She hesitates on the brink of certain words, as if to underline them, her voice and pace sound thumping and yet shrill and generally this creates a barrier between the story and the listener. She has no skills in performance reading, so Audible please note! Not sure I'll be finishing the rest on audio so a bit annoyed at this waste of money.

Great theme

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