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Proof

Length: 2 hrs and 14 mins
5 out of 5 stars (5 ratings)
Regular price: £6.59
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Summary

An enigmatic young woman. A manipulative sister. Their brilliant father. An unexpected suitor. One life-altering question. The search for the truth behind a mysterious mathematical proof is the perplexing problem in David Auburn's dynamic play. Starring Anne Heche and Jeremy Sisto, Proof is a winner of the 2001 Tony award for Best Play as well as the 2001 Pulitzer Prize for drama.

Includes an interview with Dr. Carrie Bearden, a Clinical Neuropsychologist and Assistant Professor-in-Residence in the Department of Psychiatry and Biobehavioral Sciences at the University of California-Los Angeles. Dr. Bearden is working to identify brain-based traits that may provide clues as to the underlying causes of psychosis and bipolar disorder. She joined us to talk about the role of heredity in mental illness and the links between genius and madness.

Also includes an interview with Steven Strogatz, a professor at the Cornell University School of Theoretical and Applied Mathematics. Dr. Strogatz is the author of three books, including Sync and The Calculus of Friendship, and has authored a column on mathematics for the New York Times. Dr. Strogatz joined us to talk about popular stereotypes of mathematicians, math as a "young man's game," and the question of gender bias in the field.

An L.A. Theatre Works full-cast performance featuring:

Anne Heche as Catherine

Jeremy Sisto as Hal

Robert Foxworth as Robert

Kaitlin Hopkins as Claire

Directed by Jenny Sullivan. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Proof is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.

(P)2004 L.A. Theatre Works

Critic reviews

"An exhilarating and assured new play...as accessible and compelling as a detective story." ( The New York Times)
" Proof...a play about scientists whose science matter less than their humanity....All four [characters], whether loving, hating, encouraging or impeding one another, are intensely alive, complex, funny human." ( New York Magazine)

What members say

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  • Overall
    3 out of 5 stars
  • Jody
  • 17-08-05

Had a bit of trouble with Anne Heche's voice

I had heard so much about this play over the years, and the play itself is as wonderful as people said it is. But I had trouble with Anne Heche's portrayal. Her shrill, strident voice really grated on me at times, as did the nasal, whiny qualities it sometimes had. It's obviously a personal preference, so listen to the audio sample first before you buy it.

14 of 14 people found this review helpful

  • Overall
    5 out of 5 stars
  • Robert
  • 15-09-04

Excellent adaptation of the Pulitzer Prize play

I had the good fortune to see Anne Heche twice in the Broadway production of PROOF and was delighted to see that her excellent performance has been preserved on audio (Gwyneth Paltrow was picked for the movie version before anyone knew how good Heche would be). The supporting performances are equally satisfying in this intelligent, compelling and, dare I say it, moving play. More than most plays, this one works beautifully in the audio medium.

31 of 33 people found this review helpful

  • Overall
    4 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    5 out of 5 stars
  • Shannon Geier
  • 14-10-14

Anne Heche is horrible

Would you listen to Proof again? Why?

I am sad to say I only want to listen to this if I can skip over every line Anne Heche says or have it replaced with Kaitlin Hopkins.

What did you like best about this story?

The characters display manic depressive tendencies and the script really speaks to that, maintaining a certain urgency in keeping with the characters mental state.

What three words best describe the narrators’s voice?

Anne Heche: Grating, shrill, overblown. Kaitlin Hopkins: Authentic, natural, expressive.

Any additional comments?

Kaitlin Hopkins is extremely talented, as evidenced by her wonderful performance of The Heidi Chronicles, which is also available on Audible. I have admired Anne Heche on screen in the past, but listening to her on here was torturous. She seemed to be channeling the voice of Katherine Hepburn (badly) as a manic depressive. It was almost immediately apparent and annoying. I soldiered through, hoping it would improve and at least got brief respites when Ms. Hopkins appeared. Robert Foxworthy did a great job as the father. Jeremy Sisto was good, not a stand out, but it's not a meaty part.

3 of 3 people found this review helpful

  • Overall
    3 out of 5 stars
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    1 out of 5 stars
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    5 out of 5 stars
  • Murphy
  • 14-09-12

Anne Heches tone could not me more annoying.

Great story and nicely adapted for audio play. But Anne Heche?? An hour of that shrill, phoney voice was tortuous,

2 of 2 people found this review helpful

  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars
  • Don J. Gagnon
  • 25-04-19

Oh! how near . . .

The four characters in the play are well developed and the plot is interesting. The main character, Catherine, is a lively young woman who—having taken care of her mathematically gifted and mentally challenged father, Robert, recently deceased and appearing as a ghost or hallucination and during flashbacks—might have inherited both her father’s genius and his instability. For a while, Auburn kept me guessing whether she had or hadn’t. Robert’s former graduate student Hal who becomes romantically involved with Catherine, and Catherine’s caring yet controlling sister struggle with the same questions. After several intriguing plot twists, the conflict is resolved in a difficult but believable reconciliation. This thought provoking, moving play addresses the inheritance of and relationship between brilliance and madness—probably manic depression—with compassion and insight, humor and seriousness.

  • Overall
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    5 out of 5 stars
  • Emily C.
  • 15-04-19

Mostly perfect.

This is such good writing. I love how quick everything is. However, Catherine seems to be all the way up to eleven. It’s like she is at fortissimo and has nowhere to crescendo to. Doesn’t detract too much from the performance overall.

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    5 out of 5 stars
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    5 out of 5 stars
  • Story
    5 out of 5 stars
  • rolobru
  • 17-09-18

Peformed quite well

Great pacing allows the comedic moments in this drama to shine. Beautifully performed. Heche and Sisto hit every mark.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars
  • Michael Turner
  • 22-03-16

Quick, Compelling, and Thought provoking.

This play deserves the Pulitzer Prize. Saw in the theater and it was magical. Anne Heche is a little odd in her delivery.

1 of 2 people found this review helpful

  • Overall
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    4 out of 5 stars
  • Vinicius
  • 15-05-13

Anne Heche at her Core!

Would you recommend this audiobook to a friend? If so, why?

It can not be characterized an Audio-book it is more like a Play

Who was your favorite character and why?

Anne Heche for sure

Have you listened to any of the narrators’s other performances before? How does this one compare?

This is more dramatically driven. Anne plays a person that is bother line between crazy and genius. She Rocks!

Was this a book you wanted to listen to all in one sitting?

Yes for sure. it was trilling

1 of 2 people found this review helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars
  • Gwynne O'Reagan
  • 05-03-08

A stunner

Loved this one! A superior play, acted with great style and brio. One of the very best in the LA Theatreworks series. If you enjoy audio plays try this one!

1 of 2 people found this review helpful