An everyday story of towering genius, set in and around the Lakeland retreat of William and Dorothy Wordsmith. The Wordsmiths have not long settled in their sublime cottage when they are visited by the inebriate Samuel Tailor Cholericke and the lascivious Lord Biro, followed by numerous other romantically inclined writers and leech-pedlars who arrive at the door of Vole Cottage. Dorothy must manage the increasingly chaotic household (assisted by Stinking Iris) while William focuses on his latest masterpiece, 'The Withered Turnip'.

Sisters Alison and Maud are joint landladies of the Abbeyfield Guest House, dispensing hospitality to a variety of demanding clients while also looking after their irascible, bedridden father downstairs in the granny flat. Dreamy ornithologist Alison has just moved back from Bloomsbury, while Maud ran a 3,000-acre farm in Africa - but neither sibling is really up to the task of managing a B&B, and chaos generally ensues.

Autumn, 1646. The English Civil War is raging and there’s trouble ahead for Sir John and Lady Anne Firebasket. There’s a Roundhead platoon camping out in the barn, a perplexed priest hiding behind the panelling and, unbeknown to the Firebaskets, their scullery maid Mercy is actually a disguised aristocrat (and Royalist spy) named Melissa Fortescue-Bottomley.

John Fuller-Carp, the Machiavellian head of chambers at Forecourt Buildings, is determined to become a QC and will perform almost any moral contortion to achieve his goal. When left-wing Ruth Quirke, rumoured to be a High Court judge's daughter, applies to join his chambers, Fuller-Carp's imagination goes into overdrive and promotion seems inevitable. However, his attempts to project a 'New Labour' image cut no ice with Ruth, and the two are soon at each other's throats. 

All eight series of the comedy drama series set in a Donegal town in the 1950s and '60s. Ireland in the '50s, and the days of mass tourism and indoor plumbing have not yet come to rural Co. Donegal. But in the small, sleepy town of Ballylenon, change is coming, and trouble is brewing. A power struggle is under way for control of the town, with two rival forces aligned against each other. 

Rod Millet has always dreamed of working at the Maltby Collection, but on being appointed Deputy Curator of Painting and Sculpture, it quickly becomes clear that the son of a self-made biscuit mogul isn't going to fit into the musty, insular world of London antiquities. But when, on his first day, Rod learns that the museum has been earmarked for closure, he starts a campaign to save it (threatening his boss Walter Brindle’s plans for a cushy early retirement). With the collection’s future secured, the staff turn their energies towards romance. 

All four series of the hilarious historical sitcom set just before and during the American Revolution. Baltimore, 1770, and shopkeeper Samuel Oliphant has much to worry about. Storm clouds are gathering, business is bad and to make matters worse, he’s been forced to play host to two British soldiers. Hapless officer Captain Brimshaw is decent enough, but his fellow redcoat - the one-eyed, one-eared, one-armed and one-legged Sergeant McGurk - is a shameless rascal obsessed with money and sex.

Tumbling from one love entanglement to another, 30-something teacher Izzy Comyn has a predilection for inappropriate men. Over the three hilarious series of Up the Garden Path, Izzy, played by Imelda Staunton, deals with the complicated ups and downs of her attempts to find true love.  

Sir John Woodstock (James Fleet) is the Lord of the Castle and basically in charge of keeping order in the ramshackle medieval village. Although he hates all that torturing and usually lets the peasants off with a bit of community service. He lives in his huge but slightly falling down castle (but then it was built by the French, so what can one expect) with his daughter Anne (Martha Howe-Douglas) and very teenage son Henry (Steven Kynman). Anne’s best friend Charlotte (Ingrid Oliver) nearly always joins Anne on her constant quest to find fit men in the village. 

Maria and Richard Reynolds are happily married, but broke. With debts piling up and their house falling down, there’s only one thing for it: they have to start taking in lodgers. Their new housemates are two equally cash-strapped students - Ruby, who’s conscientious and dedicated, and Paul, who finds academic pursuits more of a challenge.

Frustrated copy man Ken Handley cannot help but conceive of the world in advert form. Over three series witness Ken coping with a drunken boss, straight-laced colleagues and an overactive mind, as we follow his exploits and moral dilemmas in this advertising satire. Martin Jarvis stars as Ken, alongside a cast that includes Miriam Margolyes, Imelda Staunton, Christopher Godwin and Joss Ackland.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

TV’s first ecclesiastical comedy, All Gas and Gaiters was enjoyed by more than 10 million viewers on BBC One between 1966 and 1971. Written by husband-and-wife-team Pauline Devaney and Edwin Apps, it was so popular that a selection of scripts were revised and re-recorded for radio with the same star cast as the television series. Robertson Hare starred as the archdeacon of the fictional St Ogg’s Cathedral. 

Now that their children have left home, George and Carol finally have time for themselves again. Carol's looking forward to it being just the two of them. George, however, thinks the time is right to finally be honest with his wife - and introduces her to his alter ego Georgina....

We join them in September - the start of the farming year - as daughter Megan, a brainy 'plain Jane', sets her sights on Mr Bootle - only to find he's really just interested in birdwatching. December brings 'Goose-Feathering Night' - but Megan's determined to save Gudrun from a plucking. February finds her desperate to get into Oxford University but fearing rejection: could the creepy Mr Jenkins offer a solution?