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Final Victory

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Final Victory

By: Beverley Watts
Narrated by: Cliff Chapman, Colleen Prendergast, Jaimi Barbakoff
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Since coming to Dartmouth, Teddy Shackleford has been happier than she’s ever been. Not only is she surrounded by family and friends, but she’s also been dating Sebastian Sinclair, the fourteenth Duke of Blackmore for over a year.

Of course, she doesn’t imagine for a second that her relationship with an actual peer of the realm will be forever, but she’s determined to enjoy it while it lasts. However, when a story about her absent mother’s unusual profession is unexpectedly splashed over all the national newspapers, she’s faced with the fact that the end might come a little quicker than she’d hoped…

The fact that Teddy hasn’t seen or heard from her mother in years is irrelevant as far as the tabloids are concerned and the colourful accounts become ever more far-fetched. Advised to simply lay low until the gossips move on to the next story, she’s stunned to learn that her mother has agreed to give an actual interview to one of the newspapers. But sheer embarrassment is the least of her problems, since unbeknown to the world, Agnes Shackleford has links with the Japanese Mafia.

Teddy has no idea where her mother is, but it turns out, she’s not the only one looking…

Come to Dartmouth and join the Shacklefords for more madness, romance and mayhem, in this, the final instalment of the Shackleford Diaries.©2024 Beverley Watts (P)2025 W.F. Howes Ltd. Literature & Fiction Women's Fiction
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I have to admit up front that, Final Victory, is my favourite Shackleford story. How could you not fall in love with a 6 foot ex copper who looks like Wonder Woman, a drop dead gorgeous Duke and an assortment of dogs and relatives- including a long lost sumo wrestling mother being sought by the Japanese mafia!
Utterly compulsive and delightful.

Another Delightful Shackleford Tale

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Changing Mark Elstob for an inferior actor is a dreadful mistake. The replacement sounds like he’s going out of his way to bore us to death. Stilted, no modulation, flat and boring. I can’t get past the second chapter.
Please bring Mark Elstob back.

Dropping Mark Elstob for someone who sounds AI has killed this last book.

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