Barney and Cathy. Evan and Fiona. David and Alice. Three couples who have beaten the odds and stayed married - but is that simply because they haven’t got around to divorcing yet? In these three series, we follow this group of friends throughout weekends away and tricky date nights, weddings and funerals, Christmas celebrations and counselling sessions - all of which give them plenty of opportunity for flirting, fighting, competitiveness and reprehensible behaviour. We listen in to their innermost thoughts, feelings and motivations as they break the fourth wall.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

Maria and Richard Reynolds are happily married, but broke. With debts piling up and their house falling down, there’s only one thing for it: they have to start taking in lodgers. Their new housemates are two equally cash-strapped students - Ruby, who’s conscientious and dedicated, and Paul, who finds academic pursuits more of a challenge.

Bill and Faith are both divorcees, late in love but new to each other. As they battle to forge a relationship together, they discover that the course of true love doesn’t always run smoothly. In these 31 episodes, they move in together, plan a wedding and deal with the challenges of married life – all the while trying to balance the demands of Bill’s ex-wife, Liza, and her teenage children, Hannah and Joe. 

Aspiring actor Robert is always on the look out for work, and isn’t too fussy about what he takes. Chauffeur, prison performer, children’s TV, part-time teacher - he’ll take it all, and one day he’ll be famous. Maybe the next job will be his big breaK. From the writer behind The Vicar of Dibley, this lively comedy stars John Gordon Sinclair, Caroline Quentin, Gary Waldhorn and Gina McKee.

John Fuller-Carp, the Machiavellian head of chambers at Forecourt Buildings, is determined to become a QC and will perform almost any moral contortion to achieve his goal. When left-wing Ruth Quirke, rumoured to be a High Court judge's daughter, applies to join his chambers, Fuller-Carp's imagination goes into overdrive and promotion seems inevitable. However, his attempts to project a 'New Labour' image cut no ice with Ruth, and the two are soon at each other's throats. 

Events manager Rosie Burns is used to coping with the unexpected, at work and at home. When her daughter, Kate, accidentally became a teenage mum, Rosie stepped in, raising her granddaughter, Jo, so that Kate could pursue her career in international banking. Now Jo works in the family firm alongside accountant Bob (who's nursing an unrequited love for Rosie) and Tess (whose love life never ceases to amaze). Things are ticking along nicely, until Rosie gets a phone call out of the blue - after 15 years working abroad, Kate's lost her job and is coming home....

Sisters Alison and Maud are joint landladies of the Abbeyfield Guest House, dispensing hospitality to a variety of demanding clients while also looking after their irascible, bedridden father downstairs in the granny flat. Dreamy ornithologist Alison has just moved back from Bloomsbury, while Maud ran a 3,000-acre farm in Africa - but neither sibling is really up to the task of managing a B&B, and chaos generally ensues.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

Miriam Margolyes, Alison Steadman and Nigel Planer star in Sue Limb's comedy parodying the arty and adulterous adventures of the Bloomsbury Group. A stellar cast, including Roger Lloyd-Pack, Morwenna Banks, Jonathan Coy and John Sessions, join in this affectionate send-up of the infamous Bloomsbury literary group, who dominated the English cultural scene in the early 20th century.

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Rod Millet has always dreamed of working at the Maltby Collection, but on being appointed Deputy Curator of Painting and Sculpture, it quickly becomes clear that the son of a self-made biscuit mogul isn't going to fit into the musty, insular world of London antiquities. But when, on his first day, Rod learns that the museum has been earmarked for closure, he starts a campaign to save it (threatening his boss Walter Brindle’s plans for a cushy early retirement). With the collection’s future secured, the staff turn their energies towards romance. 

Now that their children have left home, George and Carol finally have time for themselves again. Carol's looking forward to it being just the two of them. George, however, thinks the time is right to finally be honest with his wife - and introduces her to his alter ego Georgina....

All eight series of the comedy drama series set in a Donegal town in the 1950s and '60s. Ireland in the '50s, and the days of mass tourism and indoor plumbing have not yet come to rural Co. Donegal. But in the small, sleepy town of Ballylenon, change is coming, and trouble is brewing. A power struggle is under way for control of the town, with two rival forces aligned against each other.