Dubliners
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Narrated by:
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T. P. McKenna
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By:
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James Joyce
Complex tales of the Irish city and its inhabitants from the author of Ulysses
First published in 1914, Dubliners is brought to life by acclaimed Irish actor, T. P. McKenna, Joyce portrays human relationships in Ireland at the turn of the century brilliantly. His characters are so vivacious and exciting and the stories so fresh, evocative and entertaining that they could well have been written today. A complete and unabridged collection of short stories about this Irish city and the inhabitants, Dubliners represents both an ideal introduction for newcomers and 'dip-in-and-out' listen, and a welcome for established Joyce fans. Also ideal for students looking to complement their reading.
LISTINGS: A Painful Case, Grace, Araby, The Boarding House, The Sisters, After the Race, The Dead, Eveline, An Encounter, Two Gallants, A Little Cloud, Ivy Day in the Committee Room, A Mother, Counterparts, Clay.
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Beautifully written and beautifully read
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Out of order
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Masterful tales of Ireland
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McKenna acted for may years at Dublin's Abbey Theatre and appeared in film versions of Ulysses and Portrait of an Artist as a Young Man, and his restrained tone lends itself gently to these glimpses of moments of subtle revelation.
Only one complaint, and the meticulous Joyce mght share it, because the author himself, and he should know, said this of Dubliners, "I have written it for the most part in a style of scrupulous meanness and with the convition that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has seen and heard."
Unfortunately, some bold or, more likely, careless individual, has deformed this beautifully-spoken version of Dubliners, or at least has altered the presentment of what he has seen, so that we hear the stories in the wrong sequence. Because Joyce's scrupulousness extended to insisting that they appear in a certain order in the published version of the book.
He classed them into four aspects: Childhood (conisting of The Sisters, An Encounter and Araby); Adolescence (Eveline, After the Race, Two Gallants and The Boarding House); Maturity (A Little Cloud, Counterparts, Clay and A Painful Case): and Public Life (Ivy Day in the Committee Room, A Mother, Grace and The Dead).
There is not too much lost by the apparently random order of this audio version, but it is simply right that any rendition of Dubliners should start with the news of a death in The Sisters and should end with the beautiful reflection on last things in the longest and richest of the stories, The Dead.
Life, Death and Dublin
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wrong order
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