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Babysitter

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Babysitter

By: Joyce Carol Oates, Max Meyers
Narrated by: Cassandra Campbell, Kirby Heybourne
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‘A page-turner … nothing less than magical’ Observer‘An extraordinary slice of suburban noir’ Daily Mail

From one of America’s most renowned storytellers comes a novel about love and deceit, and lust and redemption, against a background of child abductions in the affluent suburbs of Detroit.

In the waning days of the turbulent 1970s, in the wake of unsolved killings that have shocked Detroit, the lives of several residents are drawn together, with tragic consequences. There is Hannah, wife of a prominent local businessman, who has begun an affair with a darkly charismatic stranger whose identity remains elusive; Mikey, a canny street hustler who finds himself on an unexpected mission to rectify injustice; and the serial killer known as Babysitter, an enigmatic and terrifying figure at the periphery of elite Detroit. As Babysitter continues his rampage of killings, these individuals intersect with one another in startling and unexpected ways.

Suspenseful, brilliantly orchestrated and engrossing, Babysitter is a starkly narrated exploration of the riskiness of pursuing alternate lives, calling into question how far we are willing to go to protect those whom we cherish most. In its scathing indictment of corrupt politics, unexamined racism, and the enabling of sexual predation in America, Babysitter is a thrilling work of contemporary fiction.

‘Simply the most consistently inventive, brilliant, curious and creative writer going, as far as I’m concerned’ Gillian Flynn, author of Gone Girl

‘Joyce Carol Oates is a writer who always takes your breath away' Mail on Sunday

'A writer of extraordinary strengths' Guardian

©2022 Joyce Carol Oates (P)2022 HarperCollins Publishers Limited
City Life Crime Fiction Detroit Fiction Genre Fiction Literary Fiction Psychological Thriller & Suspense Urban Crime Exciting Suspense
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Critic reviews

"Simply the most consistently inventive, brilliant, curious and creative writer going, as far as I’m concerned." (Gillian Flynn, author of Gone Girl)

"Oates is an inspired writer, and a formidable psychologist. She has a thrilling way of grasping an emotion, wasting no time in judicious rumination but launching herself straight at the aching heart of the matter." (Independent)

"Novelists such as John Updike, Philip Roth, Tom Wolfe and Norman Mailer slug it out for the title of the Great American Novelist. But maybe they’re wrong. Maybe, just maybe, the Great American Novelist is a woman." (The Herald)

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Cassandra Campbell reads this genre defying novel stupendously showing that a great reader can elevate even the very best books.

another stunning story from JCO beautifully read by CC

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I started my journey with Joyce Carol Oates with Blonde. Unfortunately that audiobook was abridged but it was still so amazing, that I have ordered the book so I can read the full original version for myself.
Then I started this one and I have to say it's very unusual. It is the single most riveting, brutal, unusual and certainly the most beautifully written thrillel I have ever read.
Hannah can be caricatured perhaps as this superficial, naive, stupidly submissive person, who allows herself to be taken for granted, even brutalised and convinces herself that this is how she's going to be happy. Her husband, if not physically abusive, takes her as much for granted as YK but having been born and raised in the 60s, there wasn't an awful lot of room for a girl to form her own ideas about how she wants to be treated and who she wants to be - regardless of what the men want. It becomes pretty clear what she would lose if she wanted to go her own way. And although this book is set in the 70s, I don't think it's a very big leap to say that this story could very much be moved into today's setting. In this day and age when we think we are so enlightened about the equality of sexes, we really aren't that much more equal.
I could go on for ages about this but I won't.
One review I read in a paper said it was magical, which I found a very odd choice of adjective for such a brutal book, because it really is brutal.
The explicit details of violence are perhaps even unnecessary, self-gratuitous maybe, I really don't know. It gives very personal and subjective accounts of things, always how one or the other character experiences them. And if the writer was ready for going that far in her head to experience what one of her character was going through, then I don't think it's fair to say she should have stopped at any point. Considering that one of the major principles of writing is that you should not be censoring your own writing, it is not a realistic expectation.
If you don't take well to violence, then this book is seriously, seriously not for you. But if you can push through that and can read a book without censoring it. then it is definitely worth reading.

Harrowing and explicit

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JCO writes magnificently as always. Wonderfully narrated.
No words can adequately describe such a talented author.

Awesome

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A beautifully written narrative … disturbing subject handled well .. but the ending was abrupt and unsatisfactory .

Intriguing and very well read .. but the ending was very disappointing .

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this was a total waste of a credit. it is repetitive and disjointed. it never got going for me and after a third of the book I gave up.

because you can't give 0

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