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Barchester Towers

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Barchester Towers

By: Anthony Trollope
Narrated by: Simon Vance
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This magnificent sequel to The Warden satirizes the struggle for ascendancy among the clergy of a cathedral city as they contend for each newly vacant post within the archdiocese.

The contest for power is between Archdeacon Grantly and his followers, who favor high-church tendencies, and the new bishop and his followers, with their distinctly low-church preferences. Speaking loudly and cleverly for the latter is the ambitious Mr. Obadiah Slope, championed by Mrs. Proudie and the newcomers. Each wishes to become the dominant voice in the quiet diocese of Barchester, but their antics, including romantic ones, reveal that their priorities are more social and political than spiritual or moral.

Their intrigues and misunderstandings entwine through the lives of many memorable characters and provide a humorous backdrop for an exploration of the clash between old and new ways in Victorian England.

(P)2006 Blackstone Audio, Inc. Classics Fiction Genre Fiction Historical Fiction Literary Fiction Witty
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Critic reviews

“Barchester Towers is a very clever book.”

(Saturday Review)

“The subject is so fresh and the representation so vivid...we are left to wonder that more has not long ago been made of such promising materials.”

(The Times (London))

“Simon Vance…delivers the fustian narrative with particular fluidity, verve, and grace.”

(AudioFile)

“Vance is a highly talented reader, as comfortable with the author’s more subtle use of sarcasm as with his broad sense of the ridiculous. He gives each character a unique voice and sounds like he’s enjoying himself into the bargain. Well done!”

(Kliatt (audio review))
All stars
Most relevant
Renewed my admiration for brilliant writing - witty , economic and elegant.
The reader was also brilliant - only cavill would be with Eleanor's voice!
Great conclusion to the story of Mr Harding and his family and friends.
Loved it.

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Simon Vance continues his impressions of characters in 1950's British films. The women suffer especially, sounding like Lady Bracknell or Gwendoline in the Edith Evans version of 'The Importance of Being Earnest'. Perhaps it's supposed to give period feel for the American market, but it's the wrong period and serves only to make Trollope's very human characters too distant to empathise with. Listern to Juliet Stevenson reading Jane Austen for how to make period characters live. Shame. It's a lovely book.

More 1950's Trollope

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