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The Rest Is Noise

Listening to the Twentieth Century

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The Rest Is Noise

By: Alex Ross
Narrated by: Grover Gardner
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The scandal over modern music has not died down. While modern paintings by Picasso and Pollock sell for a hundred million or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences; yet the influence of modern sound can be felt everywhere. Alex Ross, music critic for the New Yorker, shows how modern music has pervaded every corner of twentieth-century life.

The Rest Is Noise takes the listener inside the labyrinth of modern sound, from turn-of-the-century Vienna to bohemian Paris, from Hitler’s Germany and Stalin’s Russia to downtown New York in the sixties and seventies. We meet the maverick personalities who have defied the classical past, and we follow the rise of mass culture and mass politics on this sweeping tour of twentieth-century history as told through its music.

©2007 Alex Ross (P)2007 Blackstone Audio, Inc.
History & Criticism Music World Entertainment Imperialism Middle Ages Opera Socialism
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Critic reviews

“The Rest Is Noise is a great achievement. Rilke once wrote of how he learned to stand ‘more seeingly’ in front of certain paintings. Ross enables us to listen more hearingly.”

(New York Times Book Review)

“Ross is a supremely gifted writer who brings together the political and technological richness of the world inside the magic circle of the concert hall, so that each illuminates the other.”

(Lev Grossman, Time)

“It would be hard to imagine a better guide to the maelstrom of recent music than Mr. Ross, who worked on this book for a decade. He has an almost uncanny gift for putting music into words.”

(Economist )

“[A] brilliant, hugely enjoyable cultural history.”

(Christian Science Monitor)

“The Rest Is Noise is a long and thrilling ride…[Ross] writes about music in vivid language humming with intelligence. He tells great stories about musicians’ lives and illuminates their work with the light of his own experiences.”

(Salon.com)

“The best book on what music is about—really about—that you or I will ever own.”

(LA Weekly)

“Gripping reading…[A] masterful blend of artistic and biographical insight. Readers new to classical music will quickly seek out the recordings Ross recommends…Even avid fans will find themselves hearing familiar favorites with new ears.”

(Publishers Weekly (starred review))

“Twentieth-century classical music can be intimidating and alienating…Neither of these adjectives applies to The Rest Is Noise…This history of the century as seen-or heard-through its music is lucid and unpretentious…Grover Gardner’s delivery is as welcoming as Ross’ writing, and the performance as a whole is a masterwork.”

(AudioFile)

“With his typically lyrical and attentive style, the author presents a lucid, often gripping story of a complex history. A must-read for those who have struggled with understanding modern music and a benchmark book that should eventually become a classic history of the 20th century.”

(Kirkus Reviews (starred review))
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This book is extremely well researched and delivered.

However, those looking for a broad study on 20th century music should note that this book focuses on classical music. Other forms are touched on (particularly jazz) but the vast majority is a study of classical music. I didn't get that from the reviews I read and was expecting more on blues, soul, reggae and hip-hop.

That's not to fault the book. It broadened by horizons and was a fascinating read but if you are looking for a wider study you may have to look elsewhere.

Excellent but classically focused book

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The greatest complement I can pay to this title is it made me want to go and listen to the classical music of the twentieth century. The story is clearly told and well structured, taking the listener from R Strauss' Salome to modern minialism and beyond. It certainly helped my appreciation of some very difficult pieces as well as helping to point out the seminal works. I could quibble that some composers such as Elgar and Rachmaninov bearly get a look in because, although they are popular, they don't fit the mainstream of modernism. Also if every there was an audiobook that cried out for musical samples, this was it. But I would recommend it to anyone wanting to gain an understanding of what has happen to composition in the last 100 years.

Modern classical music made more accessable

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Great book but as an audiobook, it's a shame that no snippets of songs were included when discussing specific chapters. It would have made the experience much more insightful. The author has a companion site where such snippets are available, so it would have been great to merge it with the audiobook

Great book but audiobook missed its opportunity

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Good book and well narrated. It provides a comprehensive view of 20th Century music.

Highly Recommended

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What made the experience of listening to The Rest Is Noise the most enjoyable?

As a musician who has mostly performed 20th Century music - Contemporary Classical, for my career, this book gave some interesting insight, really rounding out the history that I had learned while studying back at school/uni, and while performing.

What did you like best about this story?

I really loved hearing the context of where composers were in their life, geographically, politically, philosophically, psychologically, when they wrote particular pieces. Especially the effect that Hitler and other Political leaders had on these artists trying to live their lives.

What about Grover Gardner’s performance did you like?

The narration was ok, not one I would have written home about. Engaging enough.

Did you have an emotional reaction to this book? Did it make you laugh or cry?

Not really an emotional story! Though actually, knowing the context of Benjamin Britten's writing, and the challenges composers faced in trying to balance authorities opinions with their own artistic integrity, was really interesting. Also amusing to hear composers funny little opinions of each other.

Any additional comments?

Such a pity that they couldn't have spent some time/money getting the rights to some musical excerpts. I knew what the author was talking about a lot of the time, but only because I've performed and listened to a lot of classical music. Excerpts giving examples of what he was talking about would make this book much more accessible to music lovers who don't necessarily study or perform. And would have refreshed my memory a little. In this format, it seems crazy that they didn't consider these audio illustrations.

Adding colour and context to 20thC Compositions

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