Anything but a Gentleman cover art

Anything but a Gentleman

Rescued from Ruin Series, Book 8

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Anything but a Gentleman

By: Elisa Braden
Narrated by: Mary Sarah
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About this listen

A spinster hatches a plan (with a smattering of blackmail)

Miss Augusta Widmore has no time for proprieties. She must force her sister's ne'er-do-well betrothed to the altar with all haste - or watch her sister bear the scandalous consequences. But with the blackguard resisting his duty, she needs leverage. And only one man can provide it.

A giant holds all the cards (or so he thinks)

Sebastian Reaver has no time for presumptuous women. He has a club to run. So, when a perfect nuisance invades his office, demands a fortune in markers, and refuses to leave until he relinquishes them to her, he knows just the thing to send her scurrying back to Hampshire: Exact a price this prim country spinster would never agree to pay. A fiery battle begins (with both sides playing for keeps)

Ordinarily, Augusta would never agree to become the mistress of a notorious club owner - whether he's a lowborn ruffian or the wealthiest man in London or the most intriguing, ill-tempered giant she's ever encountered...or all three. Calling his bluff raises the stakes (and the heat), but retreat will mean ruin for Augusta. Now, Sebastian wants her total surrender, and he has a few tricks up his sleeve - soul-stealing kisses, unexpected honor, and electrifying persuasion for the woman he never saw coming.

Contains mature themes.

©2017 Elisa Braden (P)2019 Tantor
Fiction Historical Historical Fiction Regency Regency Romance Romance Romantic Comedy Comedy

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All stars
Most relevant
The narrator's style of reading actually suits these characters. As she has only one style and two voice types, it becomes boring, when it doesn't suit the content.
The hero and heroine work together and a sense of humour runs through the story.
The secondary characters are enjoyable and make this a well rounded story.
Also unlike the other books, it is not inundated with unrelated sexual content. I didn't spend the time fast forwarding.

The best of the series.

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I didn't like the continuing mispronounced words which irritated me .Like baaaack instead of back. Other wise really good

Great story.....but no getting away from sometimes weird narration

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I enjoyed this book. An entertaining storyline that rolls along nicely. The love scenes are some of the best erotic reading that I have heard- they keep just on the right side of the border between "steamy" and porn. Thank you

However Mary Jane's narration, while nicely matching this light-hearted romp, does, as other reviewers have pointed out, have a major problem with her pronunciation of words (particularly 4 letter words) with an 'a' in them. "Back" becomes "bark" and, most amusingly, "fact" becomes "fart"! A great pity as her range of characterisations is good and the accent of those characters from the Scottish border region is really good. Perhaps Audible could arrange to have her narrations "copy-listened-to" by someone from England.

Entertaining

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Elisa Braden could be one of the highest rated period romance writer of all time IF she did not use Mary Sarah AND re-recorded these books using Ruth Urquhart who successfully narrated her Highlander books. Mary Sarah is clearly not British and if she was she would be undergoing speech therapy. To add to her woeful mispronunciations is her ‘sing-song’ cadence which almost gives the listener motion sickness. Why why why Elisa - please look at all the reviews about this narrator including those on Reddit and rethink this situation for your loyal fans!

Narrator was so poor I wanted to rip my own ears off

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Another book ruined by the narrator’s idea of an upper class English accent. She insisted on putting an ‘r’ after every ‘a’ making nonsense of too many phrases, so fact is farct, back is bark, cat is cart - you get the idea! She tries regional accents for the ‘lower classes’ but they’re weak to non-existent. The problem with English is that pronunciations don’t follow rules and place names are a nightmare. Please, American narrators, I would rather hear your own native accent than badly pronounced English. Also listen to Barbara Rosenblat & Rosalyn Landor - both Americans - for the best ‘posh’ english accents.

Dreadful narrator

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