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An electric, searing memoir by the original rebel girl and legendary frontwoman of Bikini Kill and Kathleen Hanna’s rallying cry to feminists echoed far and wide through the punk scene of the 1980s, ’90s, and beyond. Her band, Bikini Kill, embodies this iconic time, and today their gutsy, radical lyrics of anthems like ‘Rebel Girl’ and ‘Double Dare Ya’ are more powerful than ever. But where did this transformative voice come from?

Before she became Smokin Jo - the most famous and visible of the first generation of 'superstar DJs' - Joanne Joseph was a young girl growing up in a children's home with her sister. Until her mother returned and whisked the siblings away just before secondary school to a flat on the Portobello Road, her life was devoid of music: the home didn't allow it, apart from hymns and carols at Christmas. As she entered the turbulent years of adolescence, Jo found herself pulled towards Soho and the burgeoning underground acid house scene, instantly finding herself at home.

At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour. Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.

For 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain.

The must-listen memoir from Darcus Beese - the UK's first black record company CEO and one of the greatest A&Rs of his generation. From growing up as a teenager on the streets of West London to running one of the biggest record labels in the world in New York - this is a truly remarkable rags to riches tale.

In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s-a wry, richly observed, and enlightening remembrance of "the scene" in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself-with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

Long Live is a deep-dive into the cultural phenomenon of Swifties as well as the many facets of the artist herself. From MySpace comments to T-Party invites to Secret Sessions and beyond, it covers the evolution of Taylor as well as the journey that fans have been on with her through two decades of personal milestones—hers and theirs, both good and bad. It’s the book that connects with fans in the way her music does—on a personal level that makes them feel seen and takes them back to unforgettable times and places in their lives.

A sweeping and evocative memoir from the Rock & Roll Hall of Famer, Grammy Award-winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award-nominated actor, comedian, and #1 New York Times bestselling author Paul Reiser.

In The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the 'greed gene' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny.

Nearly 40 years into his illustrious career, Darius tells the story of his life through the music that made him, including songs by everyone from Frank Sinatra and Stevie Wonder to R.E.M., KISS, Prince and, of course, his own music with Hootie and as a solo artist. He recounts the unlikely ascent of his band and wild tales of his road-hardened life—one filled with stumbles, missteps and battles with demons, but ultimately resulting in triumph. LIFE’S TOO SHORT is the story of a man, his music and his life; a pause-resisting memoir that is raw, real, hilarious and deeply emotional.

Whether as part of the iconic S Club 7 or as a successful solo artist, Rachel Stevens was in the eye of the 00s pop storm. Catapulted to fame at 18, her life took a whole new direction, and the whirlwind began. Constantly stereotyped and controlled within the industry, she has privately struggled with her self-worth and mental health, and has since gone on a journey of personal growth. Following a personal break-up and an S Club reunion – and having found her confidence and voice – Rachel is ready to be completely open and honest for the very first time.

Independent rapper, songwriter, singer, and producer Russ sells out concerts across America and around the globe, collaborating with top artists, such as Snoop Dogg, Joey Bada$$, Ed Sheeran, Rick Ross, Lil Baby, Jadakiss, Bia, and Mozzy to name a few. At twenty-seven, he became a bestselling author with the publication of his debut book, IT’S ALL IN YOUR HEAD. Now, at thirty-one, Russ returns with a second book even more profound and intimate than his first.

Balancing nostalgia, fresh perspectives and introspection, Never begins with family and unconventional upbringings; journeys through the tumultuous and glamorous world of pop; and takes pause for self-reflection. Never goes beyond the blinding lights of the stage – giving an intimate look at the man behind the hits – and is a portrait of truth, artistic evolution and the astounding power of contentment.

Earl Slick was barely out of his teens when David Bowie hired him to play guitar on the ground-breaking 1974 Diamond Dogs tour. It marked the beginning of a relationship that would endure through thick and thin for the next forty years. Gracing classic albums like Young Americans, Station to Station and the 2013 comeback, The Next Day, Slick played on the tour that followed Bowie’s smash hit Let’s Dance album and was at his side for the epic Glastonbury show in 2000. But it wasn’t just Bowie

Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.

Christine McVie - born Christine Perfect - was the quintessentially English rock star, as both the backbone and the beating heart of Fleetwood Mac. Straddling the band's incarnations to achieve global fame alongside Stevie Nicks, Mick Fleetwood, Lindsey Buckingham and John McVie, the classic line-up, she wrote and performed many of their greatest hits.

As one of Taylor Swift’s most trusted music journalists, Rob Sheffield has enjoyed close access to the mega-star. His unique insight has afforded him a singular perspective of Taylor’s world, as well as her impact on the world. Inspired by his years of this exclusive access, and the Swiftie response to his commentary on their beloved Taylor, Sheffield merges reportage and criticism in a way that only he can.

In this debut poetry collection, Marina's talent for powerful, evocative song lyrics finds a new outlet as her words weave stories of resilience and self-discovery. Each poem resonates with the same creative melodies and emotional depth that have made her an artistic sensation. Hailed by The New York Times for 'redefining songs about coming of age, and the aftermath, with bluntness and crafty intelligence,' Marina delves even further into teenage trauma, youth, and the highs and lows of relationships in these profound, autobiographical poems.

Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them—from Shabaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss— Unapologetic Expression captures the radical spirit of a vital British musical movement.