Showing results by publisher "Recorded Books" in Biographies & Memoirs

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn’t fit in.

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

This stirring and intimate collection brings together 25 captivating narratives to paint a vivid portrait of what it means to be a queer Nigerian woman. Covering an array of experiences—the joy and excitement of first love, the agony of lost love and betrayal, the sometimes-fraught relationship between sexuality and spirituality, addiction and suicide, childhood games and laughter—She Called Me Woman sheds light on how Nigerian queer women, despite their differences, attempt to build a life together in a climate of fear.

Love Offers No Safety: Nigeria’s Queer Men Speak is a raw and powerful collection of 25 first-person narratives that explore the diverse experience of queer Nigerian men. These stirring stories cut across age, class, religion, ethnicity, family and relationships, offering a glimpse into what it means to survive as a queer man in Nigeria.

Not the Boy for You is the story of a life deferred but not denied. In this deeply personal literary memoir, Angelo Robinson chronicles his journey to wholeness as a young Black gay man in America. Not the Boy for You is a voyage through imagination and secrecy to create a world free to accept, embrace, and love all of oneself, freed from the face of familial loyalty, societal mandates, gendered constructions, sexual boundaries, and Christian taboos.

On election day, Joan Gelfand casts her vote for George McGovern and boards a plane from New York to California. With one introduction to a woman musician, Joan’s journey to become a writer is born. Embraced by a thriving women’s community of artists, filmmakers, musicians, poets, and writers, Joan is encouraged to find her voice. Mentored by paradigm-changing writers, Joan finds the courage to face her darkest fears through poetry and art, mining the trauma she experienced after losing her father and questioning her Jewish identity.

Nearing the age of forty, with an entire life already lived as a woman, Miles Borrero comes face to face with his father’s impending death. Suddenly realizing he has been stalling his transition for fear of losing his family’s love, this moment catalyzes Miles’s determination to be known as his father’s son. In Beautiful Monster, Miles chronicles his unusual childhood, by turns riveting and hilarious, in ’80s and ’90s Colombia during the Pablo Escobar years, as well as his move to Salt Lake City to pursue acting and the winding trajectory that eventually lands him in New York City.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. For Gutiérrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds.