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Lord Jim

By: Joseph Conrad
Narrated by: Nigel Graham
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Summary

Lord Jim is a novel by Joseph Conrad, originally published in Blackwood's Magazine from October 1899 to November 1900.

Originally intended as a short story, the work grew to a full-length novel as Conrad explored in great depth the perplexing, ambiguous problem of lost honor and guilt, expiation, and heroism.

The story tells of Jim, a young, good-looking, genial, and naive water-clerk on the Patna, a cargo ship plying Asian waters. One night, when the ship collides with an obstacle and begins to sink, acting on impulse, Jim jumps overboard and lands in a lifeboat, which happens to be bearing the unscrupulous captain and his cohorts away from the disaster. The Patna, however, manages to stay afloat. The foundering vessel is towed into port - and since the officers have strategically vanished, Jim is left to stand trial for abandoning the ship and its 800 passengers.

Joseph Conrad (born Józef Teodor Konrad Korzeniowski, 1857 - 1924) was a Polish-born British novelist. He is considered as one of the greatest novelists in the English language.

Please note: This is a vintage recording. The audio quality may not be up to modern day standards.

Public Domain (P)2009 RNIB
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What listeners say about Lord Jim

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  • Overall
    5 out of 5 stars
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    5 out of 5 stars
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    5 out of 5 stars

a real masterpiece of the genre

Although there are times when the story drags and becomes tedious, (probably because it was serialised for a magazine and had to fill 12 issues) the profundity makes up for it. It is Conrad's masterpiece along with Heart of Darkness. The narrator is brilliant and brings the novel to life.

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars
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    4 out of 5 stars

A multilayered story

Conrad is a pretty intense writer and there is graphic detail of the environment and his characters who have depth and humanity. The prose flows and he maintains interest and suspense in a multilayered story, reflecting both his experiences as a sailor and his time in east Asia, telling of a young man entangled by events and his struggle to emerge. It’s coupled with Conrad’s astute observation of human behaviour and socio-political comment mirrored by Marlowe, the narrator who mentors Jim.
120 years on, it feels like a “period” novel, quite formally written, yet carrying both plot and parallel descriptions of place and people very well. It demands some patience for the vignettes, but they add colour to the background canvas.
The narration is measured, consistent, not over ambitious and rates high.

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1 person found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
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    3 out of 5 stars

Monologue spun out into a performance

Would you say that listening to this book was time well-spent? Why or why not?

Always worth a try, but it was starting to take way too long.

How would you have changed the story to make it more enjoyable?

Can't change a story once it's been written. Nonsense question. But I think I'm going to blame the narration for this one.

What three words best describe Nigel Graham’s performance?

Highly engaged narrator

Did Lord Jim inspire you to do anything?

Look for another narrator.

Any additional comments?


I am afraid I have written a similar relatively negative review for Henry James’s Golden Bowl, brimming over with frustration at how I never got very far in the novel, blaming the narrator, and lamenting the trouble I am having with returning my misfortunate picks (I suppose, as a clumsy newcomer, I have maxed out on this deceptively generous option to return a narration you don't like, although I can’t find anywhere a limit to the amount of returns allowed).

This narrator (too) seemed (more than) fine for the book when we first set sail. But somehow - dare I spew such nonsense? - I found him too engaged, too much into his role of Marlowe. Can that be possible, that the narrator is too much the part?! Do I mean to say it turned into a self-indulgent reading? Well, it meant we were coming close to a performance rather than a narration, and then it becomes quite apparent not a lot ever happens, and the going can get really slow. Talk about halcyon days!

Already, it is debatable how credible the form of the book is, with Marlowe’s monologue far too detailed (and with multiple viewpoints) to be really a story told over cigars after dinner. It could work, however, if you don’t pay too much attention to this framing device, but with this narrator that becomes impossible. He acts the text out with great verve and I felt myself stuck on his verandah for days on end…. All good and well for a bunch of old salts, but I felt uncomfortably out of place.

In short, I became very annoyed by the narrator’s tone - but cannot fault it as a choice on how to read the text. I think I just wanted to press on to find my bearings better in the character of Jim and spend less time with Marlowe. I was about to get there, to Jim’s new life, but then I felt bad about how I had not really appreciated the language that had gone before. When not much happens in a novel, it has to boil down to how it’s told.

In all fairness, however highly acclaimed Lord Jim is supposed to be, I think I may have found it hard to enjoy because I really have nihil affinity with sailing or the high seas, or this particular period in colonial history. Especially after reading Victory, there does not seem much more to gain from Lord Jim for me. I don’t know if it’s a boy-girl divide, or the impatience of a lost-generation…. I well see, as a piece of writing, what a deft study of complex psychologies and dubious moralities it might make, but the extremely lengthy preamble to the point in which Jim becomes “Lord” was disappointing. I suppose I’ll have to venture another try one day, but then with a new voice.

I am still hoping that an audio version will launch me into Lord Jim and help me suppress the seasickness I get already from walking through puddles. But if it keeps on taking as much discipline as it has done so far, I am better off with a hard copy book.

I owe it to Conrad and Nigel Graham both, as well as to myself to spend another credit or deal on a different narrator, to see what happens with Steven Crossley or Ric Jerrom. It’s the only way to learn whether this particular novel is just not well suited to an audio rendition at all (unlikely with so many about), or in how far it really is about that magic click you find with the right narrator for you; or whether I have a really long way to go, yet, on the patience with the Classics front.

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3 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
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    4 out of 5 stars

Darkness revealed

Lord Jim with it’s multiple narrators and story lines must be a difficult read but as read by Nigel Graham in a firm and manly voice it all makes sense. It is an extraordinary novel, one which looks back at the virtues which were embraced by Victorian empire builders and adventurers and forward to the hero’s described by Hemingway and novelists of the 20th century.

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  • Overall
    4 out of 5 stars
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    4 out of 5 stars
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    3 out of 5 stars

Beautiful language

Conrad is an amazing writer, but you've got to be alert when listening, if not you can become lost and spend some time trying to relocate the story, at least that's how it was for me. Small doses. Perhaps it's because english is not my first language, although I usually have no problem with reading or listening to english, and it was, after all, not Conrads first language either. Beautiful language, but if in the wrong mood, it's hard to get in. Take your time with this one and tread lightly. First Conrad since The Heart Of Darkness, and the first thought is how much I've missed him, the same way I feel when I pick up Dostojevskij after having been away for years. Don't be discouraged by people telling you some things are hard to read though, make up your own mind and you will be greatly rewarded, I promise you that.

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  • Overall
    5 out of 5 stars

Marlow brought to life

This is an outstanding reading of Lord Jim. The reader gave such an authentic and energetic presence to Marlow that I felt I was one of the listeners sitting around the meal table. Jim and Stein and Brown, and many other minor characters, are also equally authentic and present. The whole thing is so well paced and brilliantly brought to life. I got so much more out of this reading than when I read the book many years ago. The only drawback is the sound of other voices speaking in the background, but ultimately this did not spoil the wonderful experience I have had of listening to this reading over several weeks.

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  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
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    5 out of 5 stars

Excellent voice work

Beautiful and disturbing classic tale — everyone should read this — spoken beautifully I could not imagine a better narrator — it’s like you’re sitting on the veranda of some Indonesian seaport hotel with a whiskey in your hand listening to the sonorous measured and dignified Marlowe himself.

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