An astonishing - and astonishingly entertaining - behind-the-curtain history of Hollywood's transformation over the past five decades as seen through the agency at the heart of it all, from the number-one best-selling author of Live from New York and Those Guys Have All the Fun.
In 1975, five young employees of a sclerotic William Morris agency left to start their own strikingly innovative talent agency. In the years to come, Creative Artists Agency would vault from its origins in a tiny office on the last block of Beverly Hills to become the largest and most imperial, groundbreaking, and star-studded agency Hollywood has ever seen - a company whose tentacles now spread throughout the world of movies, music, television, technology, advertising, sports, and investment banking far more than previously imagined.
Powerhouse is the fascinating, no-holds-barred saga of that hot-blooded ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled CAA as well as financial information never before made public, acclaimed author James Andrew Miller spins a tale of boundless ambition, ruthless egomania, ceaseless empire building, drugs, sex, greed, and personal betrayal. Powerhouse is also a story of prophetic brilliance, magnificent artistry, singular genius, entrepreneurial courage, strategic daring, foxhole brotherhood, and how one firm utterly transformed the entertainment business. Here are the real Star Wars - complete with a Death Star - told through the voices of those who were actually there. Packed with scores of stars from movies, television, music, and sports as well as a tremendously compelling cast of agents, studio executives, network chiefs, league commissioners, hedge fund managers, tech CEOs, and media tycoons, Powerhouse is itself a Hollywood blockbuster of the most spectacular sort.
©2016 James Andrew Miller (P)2016 HarperCollins Publishers
"A terrific look behind the curtain"
While too long and repetitious, the book offers great insights from major players. Inexcusable were the mispronunciation of prominent people such as John Calley and Guy McElwayne.
"A look behind the last 40 years of Hollywood"
Great stories that'll have you randomly offering friends unsollicited facts like "Did you know they wanted Sylvester Stallone for Eddie Murphy's role in Beverly Hills Cop?" and "Ghostbusters 2 took so long to make because they unevenly distributed the money on Ghostbusters!"
This will make your friends like you a lot less, but you'll still love this book.
"Makes you miss a non corporate Hollywood"
Being in the industry so long you tend to forget how much fun it was in the mid to late 90's. I enjoyed this book quite a bit and recommend it to anyone who is in media today.
"Highly recommend this book."
So many stories I would have never known. This industry is very interesting to say the least. Ovitz was brilliant and such a visionary.
"Interesting inside look at "the biz""
Not much - did not like any of the readers, particularly the author
Ovitz, of course
The end - signifying the end of the entertainment business as we know it
Whoever produced this recording should lose their job immediately. Did no-one listen to it?
Numerous mis-pronunciations, like Sue Menjers, Guy McELLwaine, etc., and what on earth is Variety Fair?
"So so good"
So incredibly thorough and simultaneously fascinating. I was so captivated by the story from the start and then just kept getting more and more wrapped up in it. The way the author uses the direct quotes to paint the picture and then fills in the gap is just perfect. There'd be no other way to tell this story. It's like a masters class in the film industry and he nails it.
"Good book, flawed by technical and narrative issue"
The topic of film agency was fascinating, well-researched and thorough. The book is very well written as well.
The Agency by Frank Rose. Similar topic and scope.
There are three readers. Two males and one woman. The female and one male are professional, enjoyable and clear. The other male is the author, who has a voice like a cartoon dog. He is given the least to read--transitional topics and chapter introductions, but it doesn't help that his phrasing is jarring and odd. He doesn't understand commas, which is odd since he wrote the book, and often pauses at odd places within his sentences. Perhaps the producer was afraid to correct him because he is the author. He is gravelly and annoying, and I cringe when he opens his mouth. Otherwise, cool book!
The audio production could be improved. All hard consonants, B's, CH's, TH's etc. are lopped off the front of words. Give it a listen, and calm the filters down, boys. Very obvious in many books I've recently listened to.
"Interesting but flawed!"
Found it all quite interesting BUT since I know 90 % of the people portrayed I was shocked at how many of their name pronunciations were butchered.
"Thanks for a wonderful audiobook"
This is worth the listen if you're interested in the business behind Hollywood and TV.
Great story, but the voice acting other than Jim Miller was kinda bad. would recommend
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