The Sunday Times top ten bestselling memoir of Tracey Thorn's 30-year pop career with Marine Girls and Everything But The Girl, and her collaborations with Paul Weller, Massive Attack and Todd Terry.
'I was only sixteen when I bought an electric guitar and joined a band. A year later, I formed an all-girl band called the Marine Girls and played gigs, and signed to an indie label, and started releasing records. Then, for eighteen years, between 1982 and 2000, I was one half of the group Everything But the Girl. In that time, we released nine albums and sold nine million records. We went on countless tours, had hit singles and flop singles. I've seen myself described as an indie darling, a middle-of-the-road nobody and a disco diva. I haven't always fitted in, you see, and that's made me face up to the realities of a pop career.'
From post-punk teen-band rivalry in suburban Hertfordshire to international chart-topping success via a shared bedsit in Hull, and three decades of touring and making music, this is the funny, perceptive and candid true story of how Tracey Thorn grew up and tried to be a pop star.
©2013 Tracey Thorn (P)2014 Hachette Audio
Lots about this book was fab. The early years, sticking out as odd in Suburbia, Popstar Tracy at Hull Uni, buying a guitar and signed a year later with the Marine Girls. But as with most celeb biogs it's the "missing" bits that are most felt. The whole story was overly padded out with verbatim reviews from various magazines such as NME and Q Magazine. I wanted to get inside her head rather than into the cuttings file.
I learnt lots about the Indie scene I hadn't really followed at the time and enjoyed the refreshing take on parenting while on tour. Milk and Haribo on the rider etc. The reviews and diary entries went too far though. It did feel a bit like an undergraduate overly quoting and foot-noting references in a first year essay. A lot of people will find this bit fine. Especially fans.
I enjoyed the bit where George Michael turns up in his Chelsea tractor on the school run. While Tracy felt embarrassed I couldn't help wondering what kind of school the ex-red wedge girl was sending her kids to. Strangely, finance is hardly discussed in the book - something that might be none of the reader's business. But how soundly does a millionaire bedsit disco queen sleep at night given her past principles??
Yes. The soundtrack would be amazing.
My review sounds a bit harsh, but I did really enjoy the listen. I was entertained, amused and informed. The musical interludes were a fantastic addition that really complemented each chapter. As with most autobiographies the writer seems like a closed book. Over reliance on old diary phrases and press cuttings and even quotes from her partner's book in place of genuine revelation from the heart. In the end, hugely listenable but not enough juicy bits.
Honest, engaging and enjoyable throughout. Only a peripheral EBTG fan, but still loved it. Found it strangely soothing. A really nice balance of personal and professional stories delivered with a generous dose of humility. Recommended (especially if you grew up thru the same times). Recommended...even if you didn't.
A terrific book which benefits from the audio book format by using the artists music to illustrate and add colour to the events described. I sometimes struggle to get to the end of audio books but not this one. The authors warmth and character shine through. I would highly recommended this to anyone who grew up in the 80s or just enjoys learning more about the realities of the music industry.
Tracey writes and reads a fantastic story I now want to explore more. I wish I had stuck to my guns like Ben and Tracey I think life would be so much different today. I found this book to ne inspiration for my final years.
The voice of Tracey not only can her voice sing but for sure a characterises the essence of her personal and music performance though a part of her life.
Being made away the full depth and detail of this part of her life both personal and professional. I followed this enlightening story with the experience of Tracey Thorn, her name had cropped up from time to time in various parts of my musical history.
One of Tracey's latest piece of music I took interest in was, were Tracey had collaborated with a dance music producer named Stuart Price (Thin White Duke) and the time had produced Madonna's last album.
This to me makes that difference, her voice characters simply reflect so well to this part of her life tourney. Totally makes it the little more special to the listener reader.
In some respects yes yet more toward common interest.
Really enjoyed this story and will probably take up with it again sometime later in this year. Worth every penny money well spent and I have it for keeps. I recommend Tracey story to anyone especially if you have a keen interest in the music scene from her time as a music performer. And yes, I would love to Tracey, "Yeah babe always a pop star no doubt.
Tracey Thorn reading her own book in her own unique voice
Tracey's recounting of the dark times surrounding her husband's critical illness
Tracey's retelling of the circumstances behind the scenes of recording Everything but the Girl's _The Language of Life_
"Unusual, but interesting!"
That Tracey wrote and narrated it
That it wasn't a gossip-fest or tell-all, but a genuine description of what it was like for her to become a musician. If you like books like this, a GREAT one is Ann & Nancy Wilson's book - give it a try!
Yes, of course I knew her work, but had not seen any interviews, etc. I didn't really understand the title of the book though
I wished Tracey would have described her relationship with Ben in more detail (I am a romantic and think it's great they are still together after all these years!). I also liked how there were a few snips of music in the book
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