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The Long Take
- Narrated by: Kerry Shale
- Length: 5 hrs and 27 mins
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The Long Take
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Summary
Shortlisted for the Man Booker Prize, winner of the Goldsmiths Prize, The Roehampton Poetry Prize and the Walter Scott Prize for Historical Fiction.
'A beautiful, vigorous and achingly melancholy hymn to the common man that is as unexpected as it is daring' John Banville, Guardian
A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable – and unclassifiable – books of recent years.
Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed noir to flourish. The Dream had gone sour but – as those dark, classic movies made clear – the country needed outsiders to study and dramatise its new anxieties.
While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it – yet resolved to find kindness again, in the world and in himself.
Robin Robertson's The Long Take is a work of thrilling originality.
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What listeners say about The Long Take
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Longshanks
- 06-12-18
Utterly Brilliant
Heart-wrenching and beautifully written. I have listened to 3 times in a row. Powerful and beautifully read. A real treasure and a must read. I went on to buy the book and just can't put down.
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Overall3 out of 5 stars
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Performance4 out of 5 stars
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Story3 out of 5 stars
- Nuala Mcdermott
- 15-07-19
Not one for audiobook - need to actually read it.
Also bought the book and it was way better because of the poetry style. Nothing wrong per se with the performance but just didn’t translate well to audio.
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- leigh griffin
- 25-09-18
Literature noir
A stunning performance of a fabulous lyrical, haunting and harrowing tale. Not for the faint hearted but incredibly powerful and beautiful.
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2 people found this helpful
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Sally P
- 17-02-19
May give you nightmares
I loved the beautiful writing and this novel brought WW2 and its impact on survivors of combat alive for me in a totally new way. It ranges over three American cities as well as the battlefields of France, reaching into the 1950s and homelessness, hate crime, property development and earthquakes in California. An amazing creation - just be aware that some of the violence is very vividly drawn and may stay with you. Fascinating and unforgettable.
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3 people found this helpful
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Overall4 out of 5 stars
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Performance5 out of 5 stars
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Story4 out of 5 stars
- WhatCathyReadNext
- 02-07-19
A book for which audio books were invented
Written in a combination of prose and free verse, I found this account of a Canadian war veteran’s journey through the streets of Los Angeles, San Francisco and New York mesmerising, haunting and atmospheric. If, like me, you are a little daunted by the idea of its unusual narrative structure, this audiobook version narrated by Kerry Shale will come to your rescue. I thought his narration was outstanding. It really brought the poetic quality of the book to life and he created distinctive voices for the different characters. It's the sort of book I think I might have struggled to read if there had been no audio version.
The book was a deserved winner of The Walter Scott Prize for Historical Fiction 2019.
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Overall2 out of 5 stars
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Performance5 out of 5 stars
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Story2 out of 5 stars
- RARA
- 01-10-18
Man Booker shortlist
Typical Booker whimsy over plot monologue with little substance but plenty of emotion. On the destructive nature of war, on nations and men.
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